Blue, English National Opera, April 2023

Growing up as a black male in Harlem, New York there are rules for avoiding police attention, for example by never ever running away. His father, a police officer — who corrects him whenever he uses the term cop — has taught him these rules. A loving and caring man who won’t be pushed around …

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Innocence, Royal Opera, April 2023

A school shooting reverberates ten years later when one of the plotters is about to get married. His bride has no idea her husband-to-be is the brother of the teenager who shot ten students and one teacher. But one waitress, Tereza at the wedding reception knows very well. After working abroad she is drafted in …

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Turandot, Royal Opera, April 2023

Soprano Catherine Foster finally arrived in London, thank goodness. An English nurse who took up singing and made her name in the German speaking world on the Continent, she already sang Brünnhilde in Wagner’s Ring at Bayreuth ten years ago. Since then she only got better. Four years ago I was bowled over to hear …

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Cinderella, Royal Ballet, March 2023

Tick tock goes the clock on the backdrop at the start, reappearing at the end of Act 2 towards midnight, projected on the ballroom floor. This is the new Royal Ballet production of Prokofiev’s Cinderella using Frederick Ashton’s choreography, first seen in 1948 with the nasty step-sisters played by Robert Helpmann and Ashton himself. See …

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Die Tote Stadt, English National Opera, March 2023

Less than two years after the end of the first world war an opera on the loss of a loved one resonated with contemporary society, and was a huge success. Its 23-year old composer Erich Korngold already had two successful one-act operas to his name and this new 3-act work attracted fierce bids, premiering simultaneously …

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Magic Flute, Welsh National Opera, March 2023

Mozart’s final opera, Die Zauberflöte (The Magic Flute) is a masterpiece. It sets the realm of night and obscurantism against that of daylight and rational thinking. These opposing worlds are ruled by the Queen of the Night, and Sarastro, named after the great Iranian prophet Zoroaster. Sadly the depth of this opera is lost in …

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Akhnaten, English National Opera, March 2023

Open are the double doors of the horizon/ Unlocked are its bolts. Thus intones the Scribe at the start of Philip Glass’s opera Akhnaten about an extraordinary king of Egypt. The staging starts with the funeral of his father Amenhotep III, and the transfer of power. It ends with modern archaeologists examining ancient fragments, and a …

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Lucrezia Borgia, and Il Viaggio a Reims, English Touring Opera, ETO, March 2023

English Touring Opera is a gem of a company. It creates sensible productions and tours them widely from Exeter to Durham. This review covers Donizetti’s Lucrezia Borgia and Rossini’s Il Viaggio a Reims. Unable to afford big name directors who sometimes bend the original creation to their will, ETO gives us what the composer intended, allowing …

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Rusalka, Royal Opera, February 2023

Can a force of nature acquire a soul? This is what the water nymph Rusalka wants, to become human. As she says to her father the water spirit Vodník, humans have souls and go to heaven when they die. But souls are full of sin, says Vodník, …  and of love she responds. Dvořak’s opera Rusalka pits the powers of nature, particularly …

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Rheingold, English National Opera, February 2023

This new staging of Rheingold is part of a new production of Wagner’s Ring being produced in collaboration with the Metropolitan Opera in New York. Director Richard Jones has given us a clear set of allusions in a modern setting, rather than a simplistic interpretation overlaid with subtleties that no audience member can fathom without reading …

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