Mainly Opera and Ballet
To say that this new Ring at Bayreuth never quite settles down is to put things politely. The young director Valentin Schwarz has lots of ideas, but they never really gel. There is no coherent vision bringing them all together. To put it bluntly his efforts are a failure — see my review in The Article.
No gold. No Ring. This new production at Bayreuth has offended almost everyone, but contains interesting ideas while departing from Wagner’s story in many ways. For example it is not Hunding who kills Siegmund, but Wotan himself. Sieglinde is already pregnant when Siegmund encounters her. Oh, and Wotan and Alberich are twin brothers! My review …
Louisa May Alcott’s iconic novel Little Women is now an opera. American composer Mark Adamo has created the music and libretto for this story of four sisters in New England during the American civil-war era. It’s a remarkable achievement that enjoyed immediate success at its premiere in 1998 at Houston Grand Opera. My review in …
An evening of Italian verismo at Opera Holland Park provided a very effective production of two little known works. The first half featured Margot la Rouge an opera by Delius, not normally thought of as composing for this genre, and the second half of the evening included Puccini’s first stage work Le Villi. See my review in …
The Buxton Festival got off to a cracking start with the musical Gypsy to lyrics by Stephen Sondheim. The following nights saw operas by Rossini and Donizetti. Rossini’s La Donna del Lago was beautifully sung, but in a very odd staging. The Donizetti was an operatic farce turned into third-rate Monty Python. See my reviews …
Water is the source of life, yet for the Prince in Dvořák’s remarkable opera Rusalka it leads to death. The natural world he has encountered only when out hunting does not fulfil his needs, and this lost soul is drawn to the lake with its mysterious yet vibrant life. See my review in The Article.
What a wonderful production, simple, bewitching and highly effective. The use of dancers helped the atmosphere (unlike their use in many productions), dark and menacing. Brilliantly conducted by young Italian conductor Francesco Cilluffo who gave this relatively early Verdi the energy it deserves. My review in The Article.
In 1920, two years after the First World War, Europe was dealing with loss, and an ex-child prodigy, now 23, wrote an opera dealing with devastating loss. Unlike the novel Bruges-la-Morte on which it was based Die Tote Stadt has an ending that allows the protagonist the chance of recovery. This widower Paul lives in Bruges among the relics …
In this David Alden production the opera’s title might almost be Iago, the name it was given in its early creation since there was already an Otello by Rossini. Simon Keenlyside’s Iago is very much the dark star, seen at the beginning of each act, half hidden by the curtain. At the end he sits in the …
Why don’t we see this opera more often? It’s remarkably well constructed by a composer, Ponchielli who taught Puccini and others, and its librettist Arrigo Boito created the librettos for the late masterpieces of Verdi. This production was terrific (apart from a terribly choreographed Dance of the Hours) and the casting wonderful — see my …
