Mainly Opera and Ballet
In earlier operas such as Peter Grimes and Turn of the Screw, Britten had already shown a striking musical ability to interleave scenes of innocent joy with others of dark and mysterious intensity, so he was ideally suited to turning Shakespeare’s Midsummer Night’s Dream into an opera. It was first performed at Aldeburgh in 1960 …
Schiller’s Don Carlos is an intensely human drama. It uses as a background the Spanish Court during the reign of Philip II, the same Philip who was co-ruler of England after his marriage to Mary I, daughter of Henry VIII. The drama tells of a love match between his son and heir Carlos, and Elisabeth …
Gluck’s Orfeo ed Euridice and Purcell’s Dido and Aeneas are in a sense mirror images of one another. The Gluck starts with a tragic death and ends happily, the Purcell is the reverse. Gluck’s opera, first performed in Vienna in 1762, had a great effect on what came later in Germany and was particularly influential …
Rossini’s Cenerentola is Cinderella with the wicked step-mother as a bumptious, arrogant step-father (Don Magnifico), and the fairy godmother as the prince’s tutor and master of philosophy (Alidoro). The libretto is based on Perrault’s fairy tale, but with all mythical and supernatural elements from the story eliminated, turning it into something of a household comedy. …
This is the fourth revival of the Royal Opera’s 2004 production by Benoit Jacquot, once again conducted by Antonio Pappano who produced excellent playing from the orchestra in a hugely lyrical rendering of the score. But is it not time for a change of Massenet operas — a full staging of Thaïs for example? Se …
Silently, each nun leaves the stage. The swish of the guillotine is heard, and a pair of shoes comes flying across to hit the opposite stage wall. The little group of nuns slowly reduces in number, and the pairs of shoes are a reminder of the Nazi Holocaust. The director Barrie Kosky has created a …
A magnificent new production of Tristan und Isolde, with set designs based on Wagner’s own, opened the season at Grange Park Opera this summer. Its previous staging was seven years ago in Hampshire, before they moved to their new home at West Horsley Place in Surrey. As a musical experience this was mesmerising under the …
Darkness and silence. A respectful stunned silence greeted the end of Götterdämmerung (the final opera of Wagner’s Ring cycle) at Longborough, and when a few people started to clap the House erupted with cheers and sustained applause. Although sung in the original German, the English surtitles provided an excellent, very clear translation, and I look …
Mozart’s most renowned operas are the three he wrote in the late 1780s to libretti by Lorenzo da Ponte: Le nozze di Figaro, Don Giovanni and Cosi fan tutte. Sadly da Ponte’s benefactor, the Habsburg Emperor Joseph II, died in February 1790, bringing the writer’s income to an end and effectively terminating his collaboration with Mozart. One wonders what …
A composer’s first opera may well be forgotten, though certainly not that of Viennese composer Alban Berg — Wozzeck (succeeded by Lulu, which was competed just after Berg’s early death at the age of 50) remains very much in the international repertory. Based on a play by the German dramatist Georg Büchner who died very …
