Tag Archives: Toby Spence

Gloriana, Royal Opera, Covent Garden, June 2013

Unlike predecessors such as Peter Grimes (1945) and Billy Budd (1951), Benjamin Britten’s Gloriana may never be part of the standard repertoire, but the ROH has now given us a fine new perspective on this opera. Exactly sixty years after its first performances to celebrate the Queen’s Coronation, this newly imaginative, clever and colourful production …

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The Tempest, Metropolitan Opera live cinema relay, November 2012

This remarkable opera by Thomas Adès, to a libretto by Meredith Oakes, dares turn Shakespeare’s play into an opera, and succeeds. First performed in 2004 at Covent Garden in an intriguing production by Tom Cairns, it was originally co-produced with the Copenhagen Opera House and the Opéra National du Rhin in Strasbourg. This production at …

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A Celebration of Ivor Novello, BBC Proms, Royal Albert Hall, August 2012

“A gentle, more elegant age” was how the BBC’s Katie Derham referred to the world of Ivor Novello in her brief introduction, quoting We’ll Gather Lilacs in connection with his funeral in 1951. After that we were placed in the very capable hands of Mark Elder and the Hallé Orchestra for a glorious late night concert. They …

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Die Meistersinger von Nürnberg, Royal Opera, Covent Garden, December 2011

This was Antonio Pappano’s first Meistersinger for the Royal Opera, and from the start of the overture to the final chords of Act III, more than five hours later, his peerless conducting drove Wagner’s comedy forward with huge effect. The chorus too was excellent, from the first four-part harmony in the church to their final embrace of Sachs …

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Eugene Onegin, English National Opera, ENO, London Coliseum, November 2011

Altogether this is a wonderful new production by the ENO, and the visual effects were so good that the audience spontaneously applauded the ball scene as the curtain opened for Act III.

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The Turn of the Screw, Glyndebourne, August 2011

The clarity of this production, and this performance, was exceptional. From the first words of the Prologue to the last words of the drama when the Governess asks the limp body of Miles, “What have we done between us?”, the whole story was laid bare. The scene with the governess travelling by train to the big …

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Faust, English National Opera, ENO at the London Coliseum, September 2010

Overall some lovely singing from Toby Spence and Melody Moore, but I left feeling underwhelmed.

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