Cinderella, English National Opera, Sept 2025
September 29, 2025This engaging and eclectic new production by Julia Burbach gave us Rossini’s Cenerentola in a form where the pompous father seemed relatively normal. He hides huge insecurity behind a pretentious exterior, but Burbach managed to avoid making him a complete buffoon — see my review in The Article.
Tosca, Royal Opera, Sept 2025
September 13, 2025What a wonderful performance to open the 2025/26 season at the Royal Opera. This new production of Tosca by the Royal Opera’s artistic director Oliver Mears is updated to modern times, and superbly conducted by music director Jakub Hruša. It elicited huge applause from the audience — see my review in The Article.
Katya Kabanova, Glyndebourne, Aug 2025
August 6, 2025Like the mighty Volga, the music of Janáček sweeps all before it in this short opera based on a Russian play. The production contains incomprehensible allusions such as a red angel, but it matters little. The musical performance was outstanding — see my review in The Article.
Hamlet, Four Shorts, and Orphée at the Buxton Festival, July 2025
July 16, 2025This was my first encounter with the Hamlet of French composer Ambroise Thomas, and very moving it was. The Festival also performed a brief seventeenth opera, Charpentier’s La descente d’Orphée aux enfers, plus four short operas, two of which were interesting — see my review in The Article.
Die Fledermaus, Grange Festival, July 2025
July 7, 2025Hugely entertaining shenanigans on stage, all sung and spoken in a wonderful English version with jokes comprehensible to a modern audience — see my review in The Article. This performance rounded out opera productions at the Grange Festival for summer 2025, though they still have other stage performances in store.
The Marriage of Figaro, Glyndebourne, June 2025
July 3, 2025Mozart’s Marriage of Figaro may be a perfect opera, but in the wrong hands it can seem to drag towards the end. Here that was very much not the case, and this new production at Glyndebourne succeeded very well indeed, encouraged by a very receptive audience — see my review in The Article.
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