Mainly Opera and Ballet
The first three days of the Buxton featured three very different operas: Franz Lehar’s Merry Widow on the opening night, followed by Verdi’s La Traviata and Handel’s Amadigi di Gaula. Each in its own way typifying three time periods, but the main attraction for me was the appearance of Polish-American coloratura soprano Alexandra Nowakowski as …
This new minimalist production strips away the usual setting, and concentrates on the characters’ interactions with one another and the sexual yearnings that drive them all. The staging allows the performers to connect directly with the audience — see my review in The Article.
This is Singspiel — as it should be — eliciting spontaneous applause at some of the more theatrical moments in Simon McBurney’s excellent production. Now in its third run it blurs the lines between stage and auditorium, refreshing Mozart’s Magic Flute and keeping the audience fully engaged from beginning to end. Both Acts start informally …
Nevill Holt has finally come of age with its new opera house, following Oliver Mears’ revelatoryTosca last year in the now-vanished temporary structure. Mears is now artistic director of Covent Garden, and Nevill Holt a substantial presence on the country house opera scene. The outside of the new 400-seat theatre exhibits a substantial, almost church-like presence …
