Tag Archives: Michael Boder

Morgan und Abend, Royal Opera, ROH, Covent Garden, November 2015

In many operas we are watching life, yet see death. In this one we are watching death, yet see life — a remarkable turnaround facilitated by a fantastic match between music and libretto. Austrian composer Georg Friedrich Haas draws on the avant garde tradition of his homeland in producing a musical language that uses microtones …

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