Tag Archives: Longborough Festival Opera
Posted on 3 July 2024
Under the baton of Anthony Negus this Ring cycle was outstanding, and of course a tremendous achievement for Longborough Festival Opera. The singers excelled themselves, and this venue has become a mini-Bayreuth — see my review in The Article.
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Posted on 8 June 2023
Darkness and silence. A respectful stunned silence greeted the end of Götterdämmerung (the final opera of Wagner’s Ring cycle) at Longborough, and when a few people started to clap the House erupted with cheers and sustained applause. Although sung in the original German, the English surtitles provided an excellent, very clear translation, and I look …
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Posted on 26 June 2022
In 1920, two years after the First World War, Europe was dealing with loss, and an ex-child prodigy, now 23, wrote an opera dealing with devastating loss. Unlike the novel Bruges-la-Morte on which it was based Die Tote Stadt has an ending that allows the protagonist the chance of recovery. This widower Paul lives in Bruges among the relics …
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Posted on 14 June 2018
This was musically terrific, and what a refreshing change to see a simple staging of Wagner that stays true to the essence of the story without fancy directorial accoutrements. As the overture ends slow moving figures pass across the stage carrying model houses and a lighthouse, like the chorus in a Greek drama, reminding us …
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Posted on 9 June 2017
Since this opened in 2015 celebrating sesqui-centenary of the opera, I have attended two other productions plus a terrific concert performance at Grange Park last summer, and one thing is clear. Less is more. While Bayreuth’s 2015 production abandoned their previous directorial absurdities the English National Opera went in the other direction with pretentious fussiness …
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Posted on 12 June 2016
At this performance on June 11th, the Queen’s official 90th birthday, the orchestra and chorus started with a rousing rendition of the National Anthem before the opera itself — a nice touch. The subsequent performance was a stunning success for Neal Cooper, making his first appearance in the title role under conductor Anthony Negus, who …
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Posted on 17 June 2015
This opera opened in Munich on 10 June 1865, so the Longborough production is very much a sesqui-centenary. And LFO did it proud with a dramatically intense performance of this “most musical of Wagner’s works” under the baton of Anthony Negus, who conducted the Ring here two years ago. As soon as the first bars …
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Posted on 3 July 2013
Longborough Festival Opera provided one of the most memorable moments in any Ring I’ve seen — as the lights went out at the end of Walküre a stunned silence enveloped the audience for at least half a minute. Wotan’s farewell to Brünnhilde over, a mist surrounded the god as he knelt by the sleeping body of his …
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Posted on 19 July 2012
After the success of previous years with Rheingold, Walküre and Siegfried, and now with this production of Götterdämmerung, Longborough Opera is ready for a full Wagner Ring next summer. The gold stolen from the Rheinmaidens, which Alberich turned into a ring of great power and Wotan stole from him to pay for Valhalla, is eventually returned …
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