Mainly Opera and Ballet
The first three days of the Buxton featured three very different operas: Franz Lehar’s Merry Widow on the opening night, followed by Verdi’s La Traviata and Handel’s Amadigi di Gaula. Each in its own way typifying three time periods, but the main attraction for me was the appearance of Polish-American coloratura soprano Alexandra Nowakowski as …
This new production by the Welsh National Opera portrays Grimes, brilliantly performed by Nicky Spence, as a bully. Brutal but with a hugely vulnerable side that is desperate for the love of the young widow Ellen Orford. She would take him in a heartbeat, but he insists on acquiring the respect of the local community …
If you can get past the wanton incoherence of the first scene in David McVicar’s darkly seedy production, this was a performance — dedicated to the late, much-missed Dmitri Hvorostovsky — of huge power and pathos. A philanderer and serial sex offender enjoying unlimited power molests numerous young women, inspiring shame and anger among their …
