Tag Archives: David Junghoon Kim

Macbeth, Royal Opera, November 2021

This latest revival of Verdi’s Macbeth is superb, with Anna Pirozzi as a hugely powerful and mendacious Lady Macbeth. The golden cage in which Macbeth and his wife live after murdering King Duncan is physically represented on stage, and Macbeth finds himself impaled on its bars at the end. See my review in The Article.

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Luisa Miller, English National Opera, ENO, London Coliseum, February 2020

Wonderful performances of this Verdi opera despite a heavily psychological production involving dancers, a chorus dressed as clowns, Rodolfo and Luisa as young children, and avoiding one death on the basis that evil will always survive. My review in The Article.

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Roméo et Juliette, Grange Park Opera, GPO, July 2018

Of the half-dozen or so operas on this Shakespeare play, Gounod’s is undoubtedly the best, and Patrick Mason’s staging in pre-war fascist Italy gives an interesting modern take on the background to the feuding families. Knives and baseball bats come out amidst threats and fights, leaving Juliette a prey to her own burgeoning emotions, her …

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Don Carlo, Royal Opera, ROH, Covent Garden, May 2017

That great playwright Schiller did not let historical facts get in the way of a good story, and his Don Karlos is a gripping stage tragedy. Traducung the close and loving relationship between Philip II and his third wife Elizabeth de Valois, step-mother to Don Carlo, it was perfect for Verdi, who added elements of …

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Norma, Royal Opera, ROH, Covent Garden, September 2016

So many crucifixes — a veritable forest of them in the land of the druids, portrayed here as a Christian community with priests and lay people in standard Catholic attire. Such is the modern take on Norma by Spanish-Catalan director Àlex Ollé, complete with modern décor and flat-screen TV for the living quarters of Norma …

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