Tag Archives: Tristan und Isolde

Tristan und Isolde, Bayreuth Festival, July 2017

At the end of Petra Lang’s beautifully sung Liebestod following her glorious performance of Isolde, a loud lonely boo broke the magic of this sublimely sung performance under the baton of Christian Thielemann. This was no criticism of Ms Lang nor Mr Thielemann, but a clearly premeditated, and hugely ill-mannered, expression of one person’s anger …

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Tristan und Isolde, Longborough Festival Opera, LFO, June 2017

Since this opened in 2015 celebrating sesqui-centenary of the opera, I have attended two other productions plus a terrific concert performance at Grange Park last summer, and one thing is clear. Less is more. While Bayreuth’s 2015 production abandoned their previous directorial absurdities the English National Opera went in the other direction with pretentious fussiness …

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Tristan und Isolde, Grange Park Opera, July 2016

What a superb end to the season, their last at The Grange before moving to the Theatre in the Woods now being constructed at West Horsley Place in Surrey. This Company really knows how to do things, and when Anja Kampe as Isolde, and Clive Bayley as King Marke had to pull out, they found …

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Tristan and Isolde, English National Opera, ENO, London Coliseum, June 2016

This new production by incoming artistic director Daniel Kramer is his first full-length opera for the ENO — he previously directed a fine Bluebeard’s Castle as part of a double bill in 2009 — so it was intriguing to see the result. There was a plethora of ideas, too many for my liking, and greater …

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Tristan und Isolde, Bayreuth, July 2015

Stakes were high for this 150th anniversary production of Tristan und Isolde, so little wonder that with her contract up for renewal, Festival director Katharina Wagner took the task of shaping it upon herself. My review appeared in the Telegraph, 27 July 2015

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Tristan und Isolde, Longborough, LFO, June 2015

This opera opened in Munich on 10 June 1865, so the Longborough production is very much a sesqui-centenary. And LFO did it proud with a dramatically intense performance of this “most musical of Wagner’s works” under the baton of Anthony Negus, who conducted the Ring here two years ago. As soon as the first bars …

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Tristan und Isolde, BBC Proms, Royal Albert Hall, July 2013

One of the great things about opera at the Proms, apart from the avoidance of strange fancies by the stage director, is being able to see the orchestra and instrumental soloists. This was particularly valuable towards the end of Act I as the chorus of sailors at the rear made their presence felt, and the …

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Tristan und Isolde, with Esa-Pekka Salonen and the Philharmonia Orchestra, Festival Hall, September 2010

Esa-Pekka Salonen produced glorious sounds from the Philharmonia, giving us moments of explosive tension and of gentle lyricism.

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Tristan und Isolde, Royal Opera, October 2009

The orchestra performed with distinction under Antonio Pappano, and the Opera House had put together a superb cast, led by Nina Stemme as Isolde. She was terrific throughout, and in the Liebestod she rose effortlessly above the orchestra

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Tristan und Isolde, Glyndebourne, August 2009

This was Glyndebourne’s 2003 production by Nikolaus Lehnhoff,…[and] it works terrifically well, with a set by Roland Aeschlimann featuring a broken vortex of huge curved girders.

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Tristan und Isolde, Bayreuther Festspiele, July 2009

On this first night of the 2009 Bayreuth festival, under the new direction of Eva Wagner-Pasquier and Katharina Wagner, we had the singers for the parts, but not the parts for the singers in this wretched production.

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