Mainly Opera and Ballet
To say that this new Ring at Bayreuth never quite settles down is to put things politely. The young director Valentin Schwarz has lots of ideas, but they never really gel. There is no coherent vision bringing them all together. To put it bluntly his efforts are a failure — see my review in The Article.
Christian Thielemann conducted this performance in Vienna on 10 October 2019, 100 years to the day after its premiere in the same location. The superb cast was headed by Camilla Nylund, Nina Stemme, Mihoko Fujimura, Stephen Gould and Tomasz Konieczny. See my review in The Article.
This was a revelation: first the acoustic, where singers can be heard clearly wherever they stand on stage; second the wonderfully subtle conducting of Ádám Fischer, who produced a funeral march in Götterdämmerung that sang with unforgettable emotion, helped by a well-controlled brass section; and third the semi-staging. See my review in The Daily Telegraph, which …
This is a copy of my review in the Sunday Telegraph on 29th July 2018. The Wagner Festival in Bayreuth dates from 1876 when the composer’s extraordinary new opera house, with its recessed orchestra pit invisible to the audience, hosted the first complete performance of his four-part Ring cycle. After Wagner died in 1883, his …
… Atala Schöck sang superbly as the muse and as Hoffmann’s ever-present companion Nicklausse. This Hungarian mezzo has a glorious voice, and I look forward to hearing her again one day.
