Tag Archives: Stravinsky

Jewels, Royal Ballet, Covent Garden, December 2013

The high point of this first evening was the big pas-de-deux for Marianela Nuñez and Thiago Soares in Diamonds, in which she brought a fairy tale quality to this abstract yet sublimely romantic third section of Balanchine’s Jewels. The music is from Tchaikovsky’s Third Symphony, his last composition before Swan Lake, and the ballerina exhibits …

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Royal Ballet Triple: Chroma/ The Human Seasons/ Rite of Spring, Covent Garden, November 2013

The world premiere in this triple bill was the second ballet by David Dawson, making his Royal Ballet debut as a choreographer. I know someone who skipped the first item, and another who skipped the third, but both were in full anticipation of the second and neither was disappointed. The evening started with Wayne McGregor’s …

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Royal Ballet Triple: Apollo/ 24 Preludes/ Aeternum, Covent Garden, February 2013

Two completely new ballets, plus one staple from the Balanchine repertoire, made a very well judged triple bill. Alexei Ratmansky’s dances to Chopin’s 24 Preludes were sandwiched between the ethereal Apollo, and Christopher Wheeldon’s powerful new creation to Benjamin Britten’s Sinfonia da Requiem. More on that later, but first to Apollo. Patricia Neary’s staging goes back to Balanchine’s …

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Firebird/ In the Night/ Raymonda Act III, Royal Ballet, Covent Garden, December 2012

What a terrific triple bill this is, and on the evening of 29 December it was beautifully danced. Among cast changes in Raymonda, Zenaida Yanowsky and Ryoichi Hirano replaced Nuñez and Pennefather in the main roles, and Ricardo Cervera replaced Whitehead in the Hungarian dance. Cervera showed a fine cutting edge and dramatic sense, and his …

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Royal Ballet Triple: Birthday Offering/ A Month in the Country/ Les Noces, Covent Garden, June/July 2012

This triple bill offers an evening of glorious choreography, opening with the exuberance of Ashton’s Birthday Offering. Birthday Offering, first shown in 1956 for the 25th anniversary of the Company (then known as the Sadler’s Wells Ballet), starts with the melodious phrases of Glazunov’s Concert Waltz No. 1, and Tom Seligman in the orchestra pit made it swell …

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Apollo/ Jeux/ Le Train Bleu/ Suite en Blanc, English National Ballet, ENB, London Coliseum, March 2012

The second part of ENB’s spring programme Beyond Ballets Russes has a charming middle section comprising Jeux and a solo from Le train bleu, sandwiched between two glorious works in white: Apollo and Suite en Blanc. Apollo was choreographed by the 24-year old Balanchine in 1928, though he later revised it, cutting out the birth of Apollo at …

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Firebird/ Faune/ Rite of Spring, English National Ballet, ENB, London Coliseum, March 2012

Beyond Ballets Russes celebrates the legacy of Diaghilev’s famous dance company, and is the title of two programmes the ENB are putting on. This first one was very cleverly put together, placing The Afternoon of a Faune, with its gentle music by Debussy, between two longer works to intensely dramatic music by Stravinsky. In fact there are four ballets here, …

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Jewels, Royal Ballet, Covent Garden, September 2011

All in all this is a wonderful evening’s entertainment with glorious choreography and dancing aided by delightful sets and costumes, and the House was deservedly full.

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Royal Ballet Triple: Scènes de Ballet/ Voluntaries/ The Rite of Spring, Covent Garden, May 2011

The three works in this mixed bill fit beautifully together. Scènes de Ballet is a wonderful work by Frederick Ashton to a piece Stravinsky composed in 1944 for a Ziegfeld review. The stylised brilliance of Ashton’s choreography, with its unexpected poses and épaulement, suits the sharp elegance of music, evoking an era wiped out by the …

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Firebird, in concert at the BBC Proms, Royal Albert Hall, August 2010

After the dreamy first half, Gergiev built momentum and there was a wonderfully swinging quality to the later part when the prince gets hold of Kashchey’s heart in the egg, before breaking it and releasing the princess from Kashchey’s magic

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Bluebeard’s Castle, and Rite of Spring, ENO, London Coliseum, November 2009

Clive Bayley sang an autistic and threatening Bluebeard, with Michaela Martens as a powerful Judith.

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Triple Bill — Agon, Sphinx, and Limen, Royal Ballet, November 2009

The choreography [of Limen] fitted very well with the lovely music by Finnish composer Kaija Saariaho

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