Catherine Malfitano’s production of Tosca opens with a bang, not just from the excellent conducting of Stephen Lord, but the sudden appearance of the escaped prisoner Angelotti, centre stage at the rear of the church. He turns and flies forward, a dramatic move that sets the scene for this most theatrical of operas. Cavaradossi’s entrance …
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… Mimi herself was the star of the show, gloriously sung by Elizabeth Llewellyn, making her ENO debut.
The jester, named Triboulet in Hugo’s play, becomes Rigoletto in the opera, and is surely one of Verdi’s great creations, sung here by Anthony Michaels-Moore, who played him with enormous sensitivity.