Tag Archives: Sarah Lamb

Mayerling, Royal Ballet, ROH, Covent Garden, April 2017

In January 1889, fifty years into the reign of Austrian Emperor Franz Joseph, his son and heir Crown Prince Rudolf died in an apparent suicide pact at the Mayerling hunting lodge with his new mistress Mary Vetsera. In late 1916 Franz Joseph’s death after a reign of 68 years ended an era wonderfully brought to …

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Jewels, Royal Ballet, ROH, Covent Garden, April 2017

On the back of the cast list is an ad for jewellers Van Cleef and Arpels, who though failing to bankroll Balanchine’s original production, are delighted to have their name associated with the eventual result: Emeralds to Fauré’s incidental music for Pelleas and Melisande; Rubies to Stravinsky’s Capriccio for piano and orchestra; and Diamonds to …

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Winter’s Tale, Royal Ballet, ROH, Covent Garden, April 2016

Christopher Wheeldon’s representation of this Shakespeare play, where King Leontes of Sicilia goes insane with jealousy, only recovering after the damage is done and then many years later seeing the younger generation sort out the mess their elders have made, is a marvellous evocation of the story presented in fine Shakespearean style. A painting is …

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Giselle, Royal Ballet, ROH, Covent Garden, February 2016

For the opening night in this new run of Giselle, Sarah Lamb took over the title role at short notice from Natalia Osipova and delivered a flawless performance. Her emotional energy and light, floating steps in Act I portrayed the slightly out-of-this world girl she represents before her beautifully executed mad scene, and in Act …

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Wheeldon Triple: After the Rain/ Strapless/ Within the Golden Hour, Royal Ballet, February 2016

This was the first outing at Covent Garden for each of these three ballets, and for Christopher Wheeldon’s new narrative work Strapless a world premiere, framed here by the two abstract pieces. The first, After the Rain is a lovely ballet in two sections to music by Arvo Pärt, premiered by the New York City …

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Royal Ballet Mixed Bill: Viscera/ Afternoon of a Faun/ Tchaikovsky pas-de-deux/ Carmen, ROH, Covent Garden, October 2015

The big draw of the evening was Carlos Acosta’s new Carmen, but the three preceding ballets, all superbly danced, were arguably worth the whole evening. Liam Scarlett’s Viscera made a welcome return after its first performances three years ago, with Leticia Stock and Nehemiah Kish in the tranquil pas-de-deux that shows the tentative attraction between …

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Romeo and Juliet, with McRae and Lamb, Royal Ballet, ROH, Covent Garden, September 2015

Things are looking up at the Royal Ballet with new music director Koen Kessels. From the first bars it was clear that a new hand was at work, and his conducting on the opening night of the Company’s new season put recent musical performances deservedly into the shadows. At the end of the first Act …

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Royal Ballet Triple: Afternoon of a Faun/ In the Night/ Song of the Earth, ROH, Covent Garden, May 2015

The Royal Ballet’s season finale at Covent Garden appears as the Company prepares for its American tour, which starts with Acosta’s Don Quixote in Washington and Chicago before moving to New York with two mixed bills, one including Song of the Earth. The casts for Song in London were similar to those planned for New …

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Royal Ballet Mixed Bill: Scènes de ballet, Five Brahms Waltzes, Symphonic Variations, Month in the Country, Covent Garden, October 2014

Four Ashton ballets in one evening — what a spoil. The first and third created just after the Second World War, the other two in 1976. Scénes de ballet is a perfect opener. Stravinsky’s music, originally commissioned for a Broadway revue, was conducted with suitable astringency by Emmanuel Plasson, making a striking contrast to one …

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Winter’s Tale, Royal Ballet, ROH, Covent Garden, April 2014

For Christopher Wheeldon to take on Shakespeare is a bold move. The words are of huge importance, but so they are in Lewis Carroll’s Alice in Wonderland, which Wheeldon successfully produced as a ballet three years ago, and when he expressed an interest in tackling the Bard at that time, Nicholas Hytner suggested Winter’s Tale. …

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Sleeping Beauty, with Choe and Hirano, and Lamb and McRae, Royal Ballet, Covent Garden, 13 March 2014

What a huge pleasure to see Yuhui Choe and Ryoichi Hirano in the main roles at the matinee. Her dancing, so full of joy, was absolutely on the music, and a better Rose Adagio one could hardly hope for. With Hirano’s noble and dashing Prince their partnership gave a beautiful expression of the story, helped …

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Royal Ballet Triple: Rhapsody/ Tetractys—The Art of Fugue/ Gloria, Covent Garden, February 2014

When Frederick Ashton choreographed Rhapsody to Rachmaninov’s Variations on a theme by Paganini he created the principal male role on Mikhail Baryshnikov, and the quick darting steps were sublimely performed here by Steven McRae. He has the power, he has the leaps, and his fast chainés towards the end were stunning. It was an extraordinary …

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Jewels, Royal Ballet, Covent Garden, December 2013

The high point of this first evening was the big pas-de-deux for Marianela Nuñez and Thiago Soares in Diamonds, in which she brought a fairy tale quality to this abstract yet sublimely romantic third section of Balanchine’s Jewels. The music is from Tchaikovsky’s Third Symphony, his last composition before Swan Lake, and the ballerina exhibits …

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Raven Girl/ Symphony in C, Royal Ballet, Covent Garden, May 2013

Choreographer Wayne McGregor’s strength is as a visual artist, and this ballet is based on a fairy tale by Audrey Niffenegger, a novelist and visual artist. A postman falls in love with a raven that gives birth to their child the Raven Girl, who yearns to be bird rather than human. Despite the range of …

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Alice’s Adventures in Wonderland, with Sarah Lamb, Royal Ballet, Covent Garden, March 2013

This cleverly whimsical ballet, reflecting the essence of Lewis Carroll’s masterpiece, provides stage magic for the whole family. You don’t need any experience of ballet to appreciate the various vignettes, including the Adagio for the Queen of Hearts and four playing cards in Act III, a wicked take on the Rose Adagio from Sleeping Beauty. …

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Ashton Mixed Bill, with Yanowsky and Bonelli, Royal Ballet, Covent Garden, February 2013

This review is for the cast on the second night, and what a treat it was again to have Emmanuel Plasson as maestro for this delightful mixed bill of short Aston pieces. As a serious conductor who is happy to perform ballet music he showed a sure touch with orchestra, instrumental soloists and dancers. Musically, Plasson is ideal for …

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Royal Ballet Triple: Firebird, In The Night, Raymonda Act III, Covent Garden, December 2012

A triple bill ending with the third act of Raymonda is a fine complement to Nutcracker for the Christmas/ New Year period. Raymonda has a wonderful finale with stunning costumes, and the sets drew audience applause when the curtain opened. With fifteen soloists including the principals, Zenaida Yanowsky and Nehemiah Kish on this occasion, it is …

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Royal Ballet Triple: Concerto/ Las Hermanas/ Requiem, Covent Garden, November 2012

The central feature of this triple bill is Kenneth Macmillan’s wonderfully intense ballet Las Hermanas (The Sisters) based on The House of Bernarda Alba by Spanish playwright Federico García Lorca. Las Hermanas tells of a tragedy about a domineering mother and five unmarried daughters. The fiancé of the eldest is seduced by the youngest, and one of the other sisters, being furiously jealous, betrays …

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Royal Ballet Triple: Viscera/ Infra/ Fool’s Paradise, Covent Garden, November 2012

This wonderful evening of dance featured two interesting works receiving their first performances by the Royal Ballet. First came Viscera by Liam Scarlett, commissioned by the Miami City Ballet and premiered in their home-town during January 2012. With costumes by Scarlett himself, beautifully pure lighting by John Hall, and music for piano and orchestra in three movements by American …

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Royal Ballet Triple: Birthday Offering/ A Month in the Country/ Les Noces, Covent Garden, July 2012

A second view, with a different cast — see my opening night review for more details. As before, Tom Seligman conducted Birthday Offering with Barry Wordsworth taking the other two ballets, and things got off to a fine start as Seligman produced swelling sounds from the orchestra to Glazunov’s Concert Waltz No. 1. Later the music interleaves excerpts …

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The Dream with Marquez and McRae, Song of the Earth with Watson, Benjamin and Hristov, Royal Ballet, Covent Garden, February 2012

When Frederick Ashton choreographed Dream in 1964 to celebrate the four hundredth anniversary of Shakespeare’s birth, he created a magical evocation of the play with Oberon and Titania danced by a very young Anthony Dowell and Antoinette Sibley, and every time I see this ballet I recall Dowell’s performances. But Steven McRae rose to the challenge of this fiendishly …

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Royal Ballet Triple: Asphodel Meadows, Enigma Variations, Gloria, Covent Garden, November 2011

The first and last items on this excellent programme are to music by Poulenc, and both these two ballets — though not the music — deal with death. In an announcement at the start of the evening, a request was made for no applause during Gloria. As a result the audience seemed hesitant about applauding the …

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Manon, Royal Ballet, Covent Garden, November 2011

Manon is one of MacMillan’s most beloved full-length ballets, and the first night of the present run was performed with huge conviction. Rupert Pennefather — always an extremely talented dancer with a lovely line — seems transformed, his body language and facial expressions eloquently exhibiting the emotions and frustrations felt by Des Grieux. He showed a sense of attack …

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Jewels, Royal Ballet, Covent Garden, September 2011

All in all this is a wonderful evening’s entertainment with glorious choreography and dancing aided by delightful sets and costumes, and the House was deservedly full.

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Royal Ballet Triple: Scènes de Ballet/ Voluntaries/ The Rite of Spring, Covent Garden, May 2011

The three works in this mixed bill fit beautifully together. Scènes de Ballet is a wonderful work by Frederick Ashton to a piece Stravinsky composed in 1944 for a Ziegfeld review. The stylised brilliance of Ashton’s choreography, with its unexpected poses and épaulement, suits the sharp elegance of music, evoking an era wiped out by the …

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Ballo della Regina/ Live Fire Exercise/ DGV:Danse à Grande Vitesse, Royal Ballet, Covent Garden, May 2011

This triple bill made for a rather fragmented evening, because the first two pieces took only 36 minutes between them, while the two intervals lasted half an hour each. But it was all worth it because the final item, Christopher Wheeldon’s Danse à Grande Vitesse, was wonderfully invigorating and performed with great energy. A clear stage …

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Royal Ballet Triple: Chroma, Tryst, Symphony in C, Covent Garden, May 2010

…putting on this triple bill is quite a feat. Three different conductors, dozens of dancers, many with difficult roles — the Royal Ballet surpasses itself, and the auditorium should really be full to bursting.

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Royal Ballet Triple: Electric Counterpoint, Asphodel Meadows, Carmen, Covent Garden, May 2010

Asphodel Meadows is a very interesting new ballet by Liam Scarlett, to Poulenc’s Concerto in D minor for two pianos and orchestra.

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MacMillan Triple: Concerto, The Judas Tree, Elite Syncopations, a second view, Royal Ballet, March 2010

Marianela Nuñez was outstanding in the second female solo [of Elite Syncopations], so musical, and with enormous precision and attack.

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Triple Bill: Concerto, The Judas Tree, Elite Syncopations, Royal Ballet, March 2010

If you need a reason to go to the ballet, the final item alone is worth the price of the ticket, but there are only six performances of this triple bill, with the last one on 15th April.

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Les Patineurs and Tales of Beatrix Potter, Royal Ballet, December 2009

These two delightful ballets by Frederick Ashton are a joy to watch.

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Sleeping Beauty, Royal Ballet, October 2009

This lovely production by Monica Mason and Christopher Newton, using the old Oliver Messel designs with additions by Peter Farmer, is one of the company’s gems

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