Tag Archives: Sara Fulgoni

Khovanshchina, Welsh National Opera, WNO, Cardiff, September 2017

This great opera portrays late seventeenth century events in Russia before Peter the Great came to power. Musorgsky, who wrote his own libretto, invents some love interest, notably in the character of Marfa, though the true historical background and exigencies of getting operas to stage are well described in the excellent programme essays, which also …

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Die Walküre, Grange Park Opera, GPO, West Horsley Place, July 2017

The recent tendency to set operas in the period leading up to the first world war seems to inspire this production by Stephen Medcalf. The Valkyries are in spiked helmets, Wotan is a general, and we are in a grand house furnished with varying collections of such things as butterflies and daggers. In addition to …

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Tristan und Isolde, Grange Park Opera, July 2016

What a superb end to the season, their last at The Grange before moving to the Theatre in the Woods now being constructed at West Horsley Place in Surrey. This Company really knows how to do things, and when Anja Kampe as Isolde, and Clive Bayley as King Marke had to pull out, they found …

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Samson et Delila, Grange Park Opera, GPO, June 2015

Chutzpah is the word for Grange Park this summer. First they manage to attract Bryn Terfel to the main role in Fiddler on the Roof, then they decide to take on Samson et Delila, which requires first rate singers in both main roles and is a difficult opera to stage. This is perhaps why director …

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Don Quichotte, Grange Park Opera, June 2014

In the much-performed Don Quixote ballet (music by Minkus) the Don sees his fantasy Dulcinée as one of a pair of young lovers whom he gracefully helps bring together, and they are the main characters. But in this late Massenet opera the main character is the noble yet delusional Don himself, with Dulcinée as a …

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Dialogues des Carmélites, Grange Park Opera, June 2013

This opera about life and death, about choices made under conditions where society has been led into temporary insanity, deserves and received a production of great simplicity that allowed Poulenc’s music to speak for itself. With excellent vocal performances and orchestral playing under the direction of Stephen Barlow this was a deeply moving experience. The …

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Capriccio, Grange Park Opera, June 2010

… what really made the evening was the superb singing of Susan Gritton as the Countess. Her soliloquy towards the end was mesmerising. I was bowled over.

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Dido and Aeneas by Purcell, and Acis and Galatea by Handel, Royal Opera, April 2009

Acis and Galatea is a beautiful work, musically speaking … composed as a pastoral serenata, which means it would be sung without elaborate staging, though the performers would probably have worn costumes … This staging by Wayne McGregor was frightfully elaborate, which I think detracted from the beauty of the work

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