This 2007 Laurent Pelly production is set in 1950s Italy with Dulcamara, the charlatan purveyor of an elixir, arriving in an articulated lorry housing a mobile café. There are also bicycles, a moped and motor scooter, even a dog, giving a charmingly simple feel to the rural community. In dress rehearsal for this second revival the movements …
Tag Archives: Roberto Alagna
Exiles and refugees in the modern world can take their gods with them, but it was not always so … and when Roberto Alagna as Radames sings in Act III that Aida is demanding he abandon his homeland, and therefore his gods too (Abbandonar la patria, l’are de’ nostri dei!), it was a riveting moment.
It’s a human drama of huge proportions, and Ferruccio Furlanetto in the central role of Philip II of Spain showed to perfection the king’s isolated uncertainty and emotional distress.
At the end of this opera, Roberto Alagna as Don Jose made me think that here is the man who killed the gypsy, which says something about the success of this new production by Richard Eyre.
With Elina Garanča as Carmen, and Roberto Alagna as Don José, both entirely convincing in their parts and singing so powerfully, this was a glowing performance.
This was a terrific performance, with Sondra Radvanovsky and Roberto Alagna in superb voice as Leonora and Manrico.
La Rondine hovers uneasily between opera and operetta … a lively courtesan wants to see what true romance is really like, so she falls in love; but being unable to explain her history to her lover, she reluctantly returns to her life as a courtesan. It’s a wonderful vehicle for the soprano, and Angela Gheorghiu sang the main role of Magda beautifully, looking and acting the part to perfection.