Tag Archives: Rhian Lois

Figaro’s Divorce, Welsh National Opera, WNO, Cardiff, February 2016

Beaumarchais wrote a sequel to his two plays underlying the Barber of Seville and Marriage of Figaro. In La Mère coupable a brief affair between the Countess and Cherubino results in a child, brought up as the Count’s son, and this opera, to David Pountney’s libretto based on a play by Ödön von Horváth (1901–1938), …

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Marriage of Figaro, Welsh National Opera, WNO, Cardiff, February 2016

This second part of WNO’s Figaro triptych uses the same excellent design team of Ralph Koltai (sets), Sue Blane (costumes) and Linus Fellbom (lighting) as the Barber of Seville, with designs again featuring two huge walls. In this case they move apart to allow entrances, exits and a hint of deception between master and servant, …

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La Bohème, English National Opera, ENO, London Coliseum, October 2015

Bohemia in Murger’s Scènes de la vie de bohème is a state of mind, rather than a Central European province, so setting it in modern times rather than mid-nineteenth century Paris could work very well. But Benedict Andrews, who made his name as a theatre and film director, has created a staging that seems to …

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Carmen, English National Opera, ENO, London Coliseum, May 2015

The energy and insight of Richard Armstrong’s conducting carries all before it in this revival of Calixto Bieito’s production, first seen two and a half years ago. That and the excellent portrayal of Don José by American tenor Eric Cutler, whose voice and stage presence carry a nobility at odds with the rough machismo of …

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Between Worlds, English National Opera, ENO, Barbican, April 2015

This opera, ostensibly about the attacks on the World Trade Center on September 11, 2001, is really about what happens when people are suddenly caught between life and death, with only a tenuous connection to their loved ones in the world outside. This is reflected in Michael Levine’s set design for Deborah Warner’s production. The …

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Xerxes, English National Opera, ENO, London Coliseum, September 2014

This sixth ENO revival of Handel’s late opera Xerxes (aka Serse) is a testament to the huge charms of Nicholas Hytner’s 1985 production, which presents the complex story of amorous intrigues in a Persian court with glorious clarity. Elegant, even stunning, costumes for the main characters contrast with drab for the courtiers and striking black …

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Peter Grimes, English National Opera, ENO, London Coliseum, January 2014

My lingering impression from this unusual David Alden production is of Grimes as one of the few sane people in the town. In Act III the choreographed actions of the townspeople make them look like a mad Greek chorus celebrating some Dionysian rite, and when they sing Peter Grimes! at the tops of their voices …

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Die Fledermaus, English National Opera, ENO, London Coliseum, October 2013

This new production is by Christopher Alden, twin brother of David Alden whose many successful ENO works include the present, very successful Peter Grimes production, being revived in Jan/Feb 2014. By contrast, Christopher’s Fledermaus production, which I was not able to see on the first night, attracted very negative reviews and during the interval I …

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Magic Flute, English National Opera, ENO, London Coliseum, September 2012

This powerful and illuminating production by Nicholas Hytner may be seeing its last outing after twenty-five years in the repertoire, so don’t miss this ‘final’ revival. The new cast, with young conductor Nicholas Collon making his ENO debut, did a super job. For me the star of the show was Duncan Rock, who recently made …

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