Tag Archives: Rezension

Die Frau ohne Schatten, Staatsoper Berlin, Festtage, Schiller Theater, April 2017

This marvellous Claus Guth production, first staged at La Scala in 2012, and at Covent Garden three years ago, has now found its way to Berlin under the baton of Zubin Mehta, who produced a terrific performance of Richard Strauss’s score, with its combination of gentle chamber episodes with mighty moments of emotional transformation. Despite …

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Parsifal, Staatsoper Berlin, Festtage, Schiller Theater, April 2017

This year’s Festival opened with a concert by the Vienna Philharmonic under Barenboim: Mozart’s Haffner and Jupiter symphonies were given powerful lyricism, and Schönberg’s Chamber Symphony No. 1 wonderful chromatic pulsation. To follow this, Barenboim and the Berlin Staatskapelle fully brought out the emotional depths of Wagner’s Parsifal in Dmitri Tcherniakov’s intriguing production from the …

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Die Liebe der Danae, in concert, Frankfurt Opera, June 2014

Richard Strauss’s last major (three-act) opera, completed in 1940 was not given a public performance until 1952, three years after his death, though a private dress rehearsal was arranged in 1944. It is little performed — but why? The music is wonderful, particularly the remarkable Act III with its sublime orchestral interlude, “Jupiter’s Resignation”. And …

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