Opera, Ballet, Theatre, ...
Premiered at the Netherlands Opera in 1997, Robert Carsen’s award winning production has done the rounds before making its London debut as the first Carmélites at the ROH since 1983. Aesthetically abstract, it uses clever lighting on an open stage, and the vast number of chorus and extras emphasise the mass psychology underpinning the reign …
When Frederick Ashton choreographed Rhapsody to Rachmaninov’s Variations on a theme by Paganini he created the principal male role on Mikhail Baryshnikov, and the quick darting steps were sublimely performed here by Steven McRae. He has the power, he has the leaps, and his fast chainés towards the end were stunning. It was an extraordinary …
This opera about life and death, about choices made under conditions where society has been led into temporary insanity, deserves and received a production of great simplicity that allowed Poulenc’s music to speak for itself. With excellent vocal performances and orchestral playing under the direction of Stephen Barlow this was a deeply moving experience. The …
The main attraction was La Voix Humaine by Poulenc, brilliantly performed by Nuccia Focile with the Southbank Sinfonia under the direction of Garry Walker. It was given in English, and Ms. Focile’s enunciation was extremely good, which was important since there are no surtitles at the Linbury. The fact that she retained my attention for her 50 …
The three works in this mixed bill fit beautifully together. Scènes de Ballet is a wonderful work by Frederick Ashton to a piece Stravinsky composed in 1944 for a Ziegfeld review. The stylised brilliance of Ashton’s choreography, with its unexpected poses and épaulement, suits the sharp elegance of music, evoking an era wiped out by the …
Asphodel Meadows is a very interesting new ballet by Liam Scarlett, to Poulenc’s Concerto in D minor for two pianos and orchestra.
