Tag Archives: Peter Auty

Norma, English National Opera, ENO, London Coliseum, February 2016

Of all operas in the first half of the nineteenth century, Bellini’s Norma was one of the greatest, widely admired by composers and having a profound effect on Wagner. Yet the ENO has never before put it on stage, for one simple reason. It requires an extraordinary soprano who can combine enormous power with vocal …

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Aida, Opera Holland Park, OHP, July 2015

For the fourth performance on July 4, the orchestra under Manlio Benzi produced a thrilling and vivid account of Verdi’s score, helped by excellent singing and a colourful and imaginative production. It starts with a black-tie cocktail party in a gallery of Egyptian antiquities, and director Daniel Slater takes a delightfully tongue-in-cheek attitude to Acts …

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The Girl of the Golden West, English National Opera, ENO, London Coliseum, October 2014

The ENO deserve to score a big hit with this new Richard Jones production of Fanciulla. Three acts, each with its own gloriously simple set by Miriam Buether, along with costumes by Nicky Gillibrand, evoked the quintessential clarity of the American far west. Jones drew superb acting from the large cast, and Canadian conductor Keri-Lynn …

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Adriana Lecouvreur, Opera Holland Park, OHP, July 2014

When an opera detractor points to a high quality of music being unmatched by the libretto they can hardly have a better example than Cilea’s Adriana Lecouvreur. Conducted with verve and sympathy by Manlio Benzi this fin-de-siècle outpouring of dramatic harmony makes for a wonderful evening, but the impenetrable story about love, jealousy, dissimulation, political …

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Cavalleria Rusticana, and I Pagliacci, Opera Holland Park, OHP, June 2013

After an unusually long winter, walking across Holland Park for the opening of the OHP season it seemed that summer had really arrived. As the orchestra played the Prelude to Cavalleria Rusticana the set opened to reveal Turiddu in bed with Lola, and after the chorus entered to sing of orange blossom, over a dozen …

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Yevgeny Onegin, Opera Holland Park, OHP, July 2012

This production by Daniel Slater updates the action by nearly 100 years to a time we all understand, making it clear that Onegin is living in the past. Such was arguably Pushkin’s intent in setting his novel in the period 1819–25 when reforms were very much in the air, and later crushed. Here we are …

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Simon Boccanegra, English National Opera, ENO, London Coliseum, June 2011

At the end of this opera, Boccanegra is finally reconciled with his arch-enemy Jacopo Fiesco, and blesses the marriage of his long lost daughter Amelia with the young Gabriele Adorno, a previously sworn enemy. Now, dying of a slow poison, administered by his right hand man Paolo, he asks Fiesco to make Adorno his successor …

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La Forza del Destino, Holland Park Opera, OHP, August 2010

I’ve always found [this] terrific stuff, and was delighted with the excellent musical direction by Stuart Stratford, whom I remember doing an equally fine job at Holland Park last summer with Katya Kabanova.

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