Tag Archives: Paul Pyant

A Midsummer Night’s Dream, Glyndebourne, GFO, August 2016

This was a treat. Peter Hall’s production with its moving trees and bushes and gently swaying branches shows the forces of nature creating the magic that is so well exemplified in Benjamin Britten’s music. John Bury’s designs and Paul Pyant’s lighting foster an atmosphere where the desires of the lovers and the temerity of the …

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Pirates of Penzance, English National Opera, ENO, London Coliseum, May 2015

On opening night the Coliseum was packed to the rafters for this new production, with the ENO already having scheduled two extra performances. The pre-performance enthusiasm was well judged because director Mike Leigh, who made that wonderful film Topsy-Turvy about Gilbert and Sullivan, has given us a production that is fun without sentimentality or camp …

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Xerxes, English National Opera, ENO, London Coliseum, September 2014

This sixth ENO revival of Handel’s late opera Xerxes (aka Serse) is a testament to the huge charms of Nicholas Hytner’s 1985 production, which presents the complex story of amorous intrigues in a Persian court with glorious clarity. Elegant, even stunning, costumes for the main characters contrast with drab for the courtiers and striking black …

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Parsifal, Royal Opera, Covent Garden, November 2013

The Royal Opera House’s choice for Wagner’s bicentenary is a new production of Parsifal by director Stephen Langridge and designer Alison Chitty, the same team who gave us Birtwistle’s Minotaur five years ago. Here they achieved similar dramatic clarity using a Cube, which changes from opaque to translucent to open, partly to illustrate scenes from …

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The Minotaur, Royal Opera, Covent Garden, January 2013

The opening night of this revival ended with a tribute to John Tomlinson for 35 years of wonderful service to the ROH — highly appropriate since composer Harrison Birtwistle has said Tomlinson was the key to writing this opera, which had been brewing in his mind for many years. The first scene shows Christine Rice as Ariadne on …

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Antony and Cleopatra, Chichester Festival Theatre, CFT, September 2012

At the start of this production Cleopatra stands in a long golden gown with her back to the audience, and before committing suicide towards the end she appears in the identical position. Thus was framed Shakespeare’s Antony and Cleopatra, brilliantly served by Peter McKintosh’s fine designs and beautiful lighting by Paul Pyant. The split-level, with ladders …

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The Master Builder, Almeida Theatre, Islington, London, November 2010

Hilde Wangel … was brilliantly played by Gemma Arterton, portraying her as very attractive, assertive and a bit of a minx. She charms everyone, and is the one character in this performance who is quite obviously crazy. But isn’t Solness crazy too? ….

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The Winter’s Tale, at the Old Vic, June 2009

The role of Leontes was brilliantly played by Simon Russell Beale

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