Tag Archives: Natalya Romaniw
Posted on 14 February 2025
This new work by Mark Anthony Turnage is an operatic adaptation of Thomas Vinterberg’s claustrophobic family drama that unfolds over the course of a single evening. The title means celebration, in this case of the 60th birthday of Helge, paterfamilias and sexual abuser — see my review in The Article.
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Posted on 21 June 2024
This wonderfully intense Janacek opera was given a superb staging with Natalya Romaniw very moving in the title role. Thus far this summer, it is the most atmospheric performance I have seen — see my review in The Article.
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Posted on 7 July 2022
Water is the source of life, yet for the Prince in Dvořák’s remarkable opera Rusalka it leads to death. The natural world he has encountered only when out hunting does not fulfil his needs, and this lost soul is drawn to the lake with its mysterious yet vibrant life. See my review in The Article.
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Posted on 2 August 2019
Wolf-Ferrari’s delightful comedy, Il Segreto di Susanna under the baton of John Andrews formed a delightful prelude to Tchaikovsky’s final opera Iolanta, conducted by Sian Edwards. This was a revelation in Olivia Fuchs’ excellent production and Sian Edwards’ sensitive conducting that really drew forth the emotional pull of the music that Tchaikovsky created to embody the …
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Posted on 27 November 2018
Thank goodness for this fourth revival of Jonathan Miller’s staging, replacing the ill-advised new production of 2015 where the ‘Bohemians’ were druggies shooting up on a brightly lit stage. Isabella Bywater’s excellent sets and Jean Kalman’s dark lighting recall a time when life hung by a more slender thread, candles lit up intimate surroundings, and …
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Posted on 24 June 2017
Czech verismo with attendant Central European melancholy, this carries quite a punch. There are four principal characters, Jenufa who is pregnant by Števa, her step-mother the Kostelnička (church sexton), and Števa’s half-brother Laca who adores Jenufa, but jealously cuts her face, disfiguring her. She adores Števa but he rejects her, and Laca is horrified by …
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Posted on 5 August 2016
This Tchaikovsky opera contrasts psychological darkness with airy gaiety that comes out very effectively in Rodula Gaitanou’s production. Excellent chorus direction and Jamie Neale’s choreography creates a sense of fun and spontaneity in lighter moments, and the wonderful sets and costumes by Cordelia Chisholm deliver a sumptuous setting for this tale of obsession that descends …
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Posted on 26 July 2013
“There’s a one-eyed yellow idol to the north of Kathmandu”, and the moral of the story is that if you steal jewels from a sacred idol, you will die, and the jewels will revert to their proper location. In that poem the jewel was stolen to satisfy the whim of a young woman, who rejected …
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