Tag Archives: Natalia Osipova

Laurencia, with Osipova and Vasiliev, Mikhailovsky Ballet, London Coliseum, April 2013

Soviet Realism meets Don Quixote, with the good Don replaced by an evil Commander whom the peasants destroy. He abducts the beautiful Laurencia, imprisoning her lover Frondoso, and there is a nasty sexual assault by two soldiers on a peasant named Jacinta. The women are both badly used and emerge with dirty torn skirts, but …

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Don Quixote, with Osipova and Vasiliev, Mikhailovsky Ballet, London Coliseum, March 2013

For classical ballet in glorious costumes with plenty of bouncy music it is hard to equal Don Quixote, and the Mikhailovsky Ballet did us proud with the feast they served up at the London Coliseum. The feel-good music by Minkus, plus some additions by Drigo, is a favourite of pianists in ballet class, and Lanchbery …

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Giselle, with Osipova and Vasiliev, Mikhailovsky Ballet, London Coliseum, March 2013

What a pleasure this was. I’ve not seen the Mikhailovsky Giselle before, but it’s a fine production created in 2007 by Nikita Dolgushin, with excellent designs by Vyacheslav Okunev well lit by Mikhail Mekler. And the orchestra under Valery Ovsyanikov played with huge spirit, giving a performance far better than some of his work with …

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Swan Lake with Osipova and Acosta, Royal Ballet, Covent Garden, October 2012

For those lucky enough to have tickets for last night’s Swan Lake, Odette/Odile was danced by Russian ballerina Natalia Osipova partnered by the Royal Ballet’s Carlos Acosta as Prince Siegfried. They were terrific together. Osipova was in the news recently when she and Ivan Vasiliev quit the Moscow’s Bolshoi and joined the Mikhailovsky Ballet in St. Petersburg, one reason being frustration …

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Ashton’s Romeo and Juliet, Peter Schaufuss Ballet, London Coliseum, July 2011

Frederick Ashton choreographed Romeo and Juliet for the Royal Danish Ballet in 1955, and it was on a smaller scale than the 1965 Kenneth MacMillan version familiar to Covent Garden audiences. Schaufuss’s mother and father danced Juliet and Mercutio in the original, so Peter Schaufuss is very much involved in this work, and he worked with Ashton on a new …

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Don Quixote, Bolshoi Ballet, Royal Opera House, Covent Garden, August 2010

This thrilling spectacle of classical dance was first performed at the Bolshoi Theatre in Moscow in 1869, choreographed by Marius Petipa, who had just become artistic director of the Maryinsky Ballet in St. Petersburg. More than twenty years earlier he’d spent three years in Spain and learned to love Spanish dance — much celebrated in …

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