Mainly Opera and Ballet
The first year of preparation for Longborough’s new Ring has started with a very effective production of Das Rheingold.The excellent use of video designs by Tim Baxter shows Valhalla peeping through the clouds, and the approach to the rainbow bridge at the end adds a cosmic touch to Wotan’s dream palace. Musically wonderful under the baton …
With the recent shenanigans of Russia’s not-so-secret security services, this opera gives form to the history that partly underpins the current regime’s paranoia. Tolstoy’s vast War and Peace, embracing the defeat of Napoleon’s 1812 invasion, expresses the soul of Russia, and Prokofiev’s monumental opera acquired new impetus from the German invasion of 1941. Stalin was keen …
Hugely powerful and strangely life affirming. Janáček’s opera on Dostoyevsky’s novel about convicts in a Siberian prison camp might seem unpromising material, but the composer was a master at turning stories into dramatic masterpieces and this — his final opera — is extraordinary. Composed on hand written staves that did not always extend to a …
This great opera portrays late seventeenth century events in Russia before Peter the Great came to power. Musorgsky, who wrote his own libretto, invents some love interest, notably in the character of Marfa, though the true historical background and exigencies of getting operas to stage are well described in the excellent programme essays, which also …
This extraordinary opera by Arnold Schoenberg remained unfinished at his death in 1951, though he wrote the music for the first two acts already in the period 1930–32. The incompleteness is emphasised by Jossi Wieler and Sergio Morabito’s WNO production (imported from Stuttgart), by beginning and ending both acts without clear boundaries. At the start …
Longborough Festival Opera provided one of the most memorable moments in any Ring I’ve seen — as the lights went out at the end of Walküre a stunned silence enveloped the audience for at least half a minute. Wotan’s farewell to Brünnhilde over, a mist surrounded the god as he knelt by the sleeping body of his …
Alban Berg’s Lulu, mostly written in 1934, was only performed in a complete version for the first time in 1979. Berg died in 1935, and after his widow could not get Schoenberg, nor Webern or Zemlinsky, to write an orchestration of Act III she refused any attempt at completion, and so it remained until she died …
