Tag Archives: Mark Le Brocq

From the House of the Dead, Welsh National Opera, WNO, Cardiff, October 2017

Hugely powerful and strangely life affirming. Janáček’s opera on Dostoyevsky’s novel about convicts in a Siberian prison camp might seem unpromising material, but the composer was a master at turning stories into dramatic masterpieces and this — his final opera — is extraordinary. Composed on hand written staves that did not always extend to a …

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Khovanshchina, Welsh National Opera, WNO, Cardiff, September 2017

This great opera portrays late seventeenth century events in Russia before Peter the Great came to power. Musorgsky, who wrote his own libretto, invents some love interest, notably in the character of Marfa, though the true historical background and exigencies of getting operas to stage are well described in the excellent programme essays, which also …

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Moses und Aron, Welsh National Opera, WNO, Cardiff, May 2014

This extraordinary opera by Arnold Schoenberg remained unfinished at his death in 1951, though he wrote the music for the first two acts already in the period 1930–32. The incompleteness is emphasised by Jossi Wieler and Sergio Morabito’s WNO production (imported from Stuttgart), by beginning and ending both acts without clear boundaries. At the start …

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Der Ring des Nibelungen, Longborough, June/ July 2013

Longborough Festival Opera provided one of the most memorable moments in any Ring I’ve seen — as the lights went out at the end of Walküre a stunned silence enveloped the audience for at least half a minute. Wotan’s farewell to Brünnhilde over, a mist surrounded the god as he knelt by the sleeping body of his …

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Lulu, Welsh National Opera, Cardiff, February 2013

Alban Berg’s Lulu, mostly written in 1934, was only performed in a complete version for the first time in 1979. Berg died in 1935, and after his widow could not get Schoenberg, nor Webern or Zemlinsky, to write an orchestration of Act III she refused any attempt at completion, and so it remained until she died …

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