Tag Archives: Mark Elder

Semiramide, BBC Proms, Prom 68, Royal Albert Hall, 4 September 2016

Based on a drama by Voltaire, this Rossini opera centres round the legendary if fictional Queen Semiramide (Semiramis) of Babylon, a source of endless fascination for Classical and Renaissance authors, who based their fables on Persian sources. The legend is derived from at least two Assyrian queens: Sammuramat (the origin of the name) in the …

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L’Étoile, Royal Opera, ROH, Covent Garden, February 2016

Is this little-known French farce the sort of thing Covent Garden should be doing? Whatever the answer — and audience reception on its first night was very positive — the ROH certainly did it with great verve. The production by Mariame Clément with designs by Julia Hansen is a blaze of colour and clever ideas, …

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La Traviata, Glyndebourne, GFO, July 2014

A careful attention to musical detail renders this new, fairly minimalist production of Traviata by Tom Cairns extremely effective, helped enormously by the stunning performance of Venera Gimadieva as Violetta. Her softness and richness of tone reminded me of Ileana Cotrubas as she subtly brought Violetta’s multi-faceted character into play. In Act I after an introspective and …

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Wozzeck, Royal Opera, Covent Garden, November 2013

October 2013 is the bicentenary of Georg Büchner, whose play Woyzeck is the basis for Berg’s opera. The play is sparely written, and after a few cuts and slight rearrangement of scenes, Berg produced an opera of striking power and musical invention. It is not an easy task for the singers, with its four different …

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Parsifal, BBC Proms, Royal Albert Hall, August 2013

The Albert Hall was the first venue for a concert performance of Parsifal, at least in England, just two years after the Bayreuth premiere of 1882. At that time copyright protection restricted staged performances to Bayreuth, but who needs a full staging? This 2013 performance with powerful musical direction by Mark Elder, and subtle stage …

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A Celebration of Ivor Novello, BBC Proms, Royal Albert Hall, August 2012

“A gentle, more elegant age” was how the BBC’s Katie Derham referred to the world of Ivor Novello in her brief introduction, quoting We’ll Gather Lilacs in connection with his funeral in 1951. After that we were placed in the very capable hands of Mark Elder and the Hallé Orchestra for a glorious late night concert. They …

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The Tsar’s Bride, Royal Opera, Covent Garden, April 2011

This is about love, jealousy, guilt and remorse — ideal material for opera — ostensibly set in the time of Ivan the Terrible (late Tudor period in England). The power of the oligarchs and the state security police (theoprichniki) is part of the story …

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Adriana Lecouvreur, Royal Opera, Covent Garden, November 2010

As I took my seat on the first night a young man said to his companion that this was better than Puccini. On the other hand I know of someone who walked out of the dress rehearsal at the first interval saying this was not opera. My opinion falls in between such strikingly different reactions.

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Billy Budd, Glyndebourne, May 2010

The music — and this is wonderfully powerful music by Britten — was brilliantly played by the London Philharmonic under the baton of Mark Elder.

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Linda di Chamounix, Royal Opera, September 2009

This was a concert performance, brilliantly conducted by Mark Elder, and the cast, headed by Elise Gutierrez as Linda, and Stephen Costello as gloriously voiced Carlo, was excellent.

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