Tag Archives: Marianela Nuñez

Royal Ballet Mixed Bill: The Vertiginous Thrill of Exactitude/ Tarantella/ Strapless/ Symphonic Dances, ROH, Covent Garden, May 2017

The main focus of this mixed bill is its final item, Liam Scarlett’s new work to Rachmaninov’s Symphonic Dances. The abundant melody of this 1940 composition allows ideas to emerge in and around each other, skilfully expressed in Scarlett’s choreography. For the forces of nature in this music, brilliantly conducted by Koen Kessels, Scarlett and …

Read more >


Mayerling, Royal Ballet, ROH, Covent Garden, April 2017

In January 1889, fifty years into the reign of Austrian Emperor Franz Joseph, his son and heir Crown Prince Rudolf died in an apparent suicide pact at the Mayerling hunting lodge with his new mistress Mary Vetsera. In late 1916 Franz Joseph’s death after a reign of 68 years ended an era wonderfully brought to …

Read more >


Jewels, Royal Ballet, ROH, Covent Garden, April 2017

On the back of the cast list is an ad for jewellers Van Cleef and Arpels, who though failing to bankroll Balanchine’s original production, are delighted to have their name associated with the eventual result: Emeralds to Fauré’s incidental music for Pelleas and Melisande; Rubies to Stravinsky’s Capriccio for piano and orchestra; and Diamonds to …

Read more >


Royal Ballet Triple: The Human Seasons/ After the Rain/ Flight Pattern, ROH, March 2017

This wonderful triple bill of modern ballets sees revivals of two very successful works and a new ballet by Crystal Pite, all superbly conducted by Koen Kessels. First came David Dawson’s Human Seasons, inspired by Keats’s poem that refers to human life in terms of its spring, summer, autumn and winter. Dawson refers to a …

Read more >


Sleeping Beauty, Royal Ballet, ROH, February 2017

The second run of Sleeping Beauty this season started in grand style with Marianela Nuñez as Princess Aurora and Vadim Muntagirov as her prince, and a cast close to that for the live cinema relay at the end of the month. In Act I Nuñez showed the thrill of a teenager at her own coming …

Read more >


Anastasia, Royal Ballet, ROH, Covent Garden, October 2016

In 1971 when Kenneth MacMillan produced this three-act ballet — following an earlier creation in Berlin of what became the final act — there was still uncertainty about whether the main character had once been Russian Grand Duchess Anastasia, youngest daughter of Tsar Nicholas II. Now there is none, but the ballet retains its grip …

Read more >


Wheeldon Triple: After the Rain/ Strapless/ Within the Golden Hour, Royal Ballet, February 2016

This was the first outing at Covent Garden for each of these three ballets, and for Christopher Wheeldon’s new narrative work Strapless a world premiere, framed here by the two abstract pieces. The first, After the Rain is a lovely ballet in two sections to music by Arvo Pärt, premiered by the New York City …

Read more >


Royal Ballet Double Bill: Monotones I and II, The Two Pigeons, ROH, Covent Garden, November 2015

Why were there inexpensive empty seats? This is a wonderful mixed bill of Ashton ballets, including his delightful Two Pigeons featuring Jacques Dupont’s glorious set with its window to the city and sky of Paris beautifully lit by Peter Teigen. Yet before this colourful drama of two lovers reunited after one flies the nest, we …

Read more >


Royal Ballet Mixed Bill: Viscera/ Afternoon of a Faun/ Tchaikovsky pas-de-deux/ Carmen, ROH, Covent Garden, October 2015

The big draw of the evening was Carlos Acosta’s new Carmen, but the three preceding ballets, all superbly danced, were arguably worth the whole evening. Liam Scarlett’s Viscera made a welcome return after its first performances three years ago, with Leticia Stock and Nehemiah Kish in the tranquil pas-de-deux that shows the tentative attraction between …

Read more >


Royal Ballet Triple: Afternoon of a Faun/ In the Night/ Song of the Earth, ROH, Covent Garden, May 2015

The Royal Ballet’s season finale at Covent Garden appears as the Company prepares for its American tour, which starts with Acosta’s Don Quixote in Washington and Chicago before moving to New York with two mixed bills, one including Song of the Earth. The casts for Song in London were similar to those planned for New …

Read more >


Onegin, with Nuñez and Soares, Royal Ballet, ROH, Covent Garden, January 2015

For John Cranko’s 1960s take on Pushkin’s verse narrative the husband and wife partnership of Marianela Nuñez and Thiago Soares is about as perfect as it gets. The tearing up of one another’s letters — a Cranko innovation absent from Pushkin, where Onegin rejects her advances in a far gentler way — was effected with cool …

Read more >


Don Quixote, with Nuñez and Acosta, Royal Ballet, ROH, Covent Garden, November 2014

What joy to see Carlos Acosta and Marianela Nuñez in a beautifully rehearsed first cast for this year’s revival of Acosta’s new Don Q. Gone was the tension of the Gala opening last year, and from their first appearance in Act I he made a superb young Basilio, with Nuñez on fire as his beloved …

Read more >


Royal Ballet Triple Bill: Ceremony of Innocence, Age of Anxiety, Aeternum, Royal Ballet, ROH, Covent Garden, October 2014

This triple bill takes us from the loss of childhood innocence to the memory of parents passed away, ideas that frame the first and third items, both to music of Benjamin Britten. Ceremony of Innocence appears in W B Yeats’ poem The Second Coming as ‘The ceremony of innocence is drowned’, a line that Britten …

Read more >


Royal Ballet Mixed Bill: Scènes de ballet, Five Brahms Waltzes, Symphonic Variations, Month in the Country, Covent Garden, October 2014

Four Ashton ballets in one evening — what a spoil. The first and third created just after the Second World War, the other two in 1976. Scénes de ballet is a perfect opener. Stravinsky’s music, originally commissioned for a Broadway revue, was conducted with suitable astringency by Emmanuel Plasson, making a striking contrast to one …

Read more >


Manon, Royal Ballet, ROH, Covent Garden, September 2014

First seen in March 1974 this ballet has aged beautifully, and opening night of the current run fully recaptured the vivacity and despair of the story. Marianela Nuñez’s subtle development of Manon’s character, from the gentle grace of her first entrance in Act I to the femme dangereuse of Act II and eventually the victim …

Read more >


Royal Ballet Triple: Serenade/ Sweet Violets/ DGV, Covent Garden, May 2014

Liam Scarlett’s dark narrative ballet Sweet Violets was beautifully framed here by Balanchine’s Serenade and Wheeldon’s Danse à grande vitesse. The Balanchine work, his first in America, originated from a series of evening classes he gave in New York, the seventeen girls at the start being the number who attended the first class. Among sixteen …

Read more >


Winter’s Tale, Gartside and Nuñez, Royal Ballet, ROH, Covent Garden, 16 April 2014

This was the first performance by the second cast, originally scheduled for last Saturday but postponed due to lack of rehearsal time. Second cast it may have been, but prima ballerina Marianela Nuñez gave a beautifully nuanced performance of Hermione filled with emotional expression. Her solo in Act I, with her husband Leontes (Bennet Gartside) …

Read more >


Jewels, Royal Ballet, Covent Garden, December 2013

The high point of this first evening was the big pas-de-deux for Marianela Nuñez and Thiago Soares in Diamonds, in which she brought a fairy tale quality to this abstract yet sublimely romantic third section of Balanchine’s Jewels. The music is from Tchaikovsky’s Third Symphony, his last composition before Swan Lake, and the ballerina exhibits …

Read more >


Raven Girl/ Symphony in C, Royal Ballet, Covent Garden, May 2013

Choreographer Wayne McGregor’s strength is as a visual artist, and this ballet is based on a fairy tale by Audrey Niffenegger, a novelist and visual artist. A postman falls in love with a raven that gives birth to their child the Raven Girl, who yearns to be bird rather than human. Despite the range of …

Read more >


La Bayadère, with Acosta, Nuñez, Kobayashi, Royal Ballet, Covent Garden, May 2013

This marvellous classical ballet by Petipa, in a three-act version by Makarova, provides scope for alternative portrayals of the main roles, and the ones given on May 14 by Acosta, Nuñez and Kobayashi gelled beautifully. Carlos Acosta as Solor came over as a decent fellow placed in an impossible position by Christopher Saunders as the …

Read more >


Royal Ballet Triple: Apollo/ 24 Preludes/ Aeternum, Covent Garden, February 2013

Two completely new ballets, plus one staple from the Balanchine repertoire, made a very well judged triple bill. Alexei Ratmansky’s dances to Chopin’s 24 Preludes were sandwiched between the ethereal Apollo, and Christopher Wheeldon’s powerful new creation to Benjamin Britten’s Sinfonia da Requiem. More on that later, but first to Apollo. Patricia Neary’s staging goes back to Balanchine’s …

Read more >


Ashton Mixed Bill, with Rojo and Polunin, Royal Ballet, Covent Garden, February 2013

This was Tamara Rojo’s evening, ending with a lovely bouquet of flowers for her — making up for their lack of such tributes in her last days with the Company, after accepting the artistic directorship of the ENB. In Ashton’s take on The Lady of the Camellias, she was a captivating Marguerite, glamorous and consumptive, showing fine textures …

Read more >


The Nutcracker with Nuñez and Soares, Royal Ballet, Covent Garden, December 2012.

At the start of this Peter Wright production, we see Drosselmeyer in his workshop comparing his toy Nutcracker with a portrait on the wall of his lost nephew. Then at the very end, where some productions show Clara being put to bed by her mother, the Nutcracker prince finds his Uncle Drosselmeyer and they embrace. …

Read more >


Royal Ballet Triple: Concerto/ Las Hermanas/ Requiem, Covent Garden, November 2012

The central feature of this triple bill is Kenneth Macmillan’s wonderfully intense ballet Las Hermanas (The Sisters) based on The House of Bernarda Alba by Spanish playwright Federico García Lorca. Las Hermanas tells of a tragedy about a domineering mother and five unmarried daughters. The fiancé of the eldest is seduced by the youngest, and one of the other sisters, being furiously jealous, betrays …

Read more >


Royal Ballet Triple: Viscera/ Infra/ Fool’s Paradise, Covent Garden, November 2012

This wonderful evening of dance featured two interesting works receiving their first performances by the Royal Ballet. First came Viscera by Liam Scarlett, commissioned by the Miami City Ballet and premiered in their home-town during January 2012. With costumes by Scarlett himself, beautifully pure lighting by John Hall, and music for piano and orchestra in three movements by American …

Read more >


Metamorphosis: Titian 2012, Royal Ballet, Covent Garden, July 2012

This triple bill, inspired by three Titian paintings currently on view at the National Gallery (Diana and Callisto, Diana and Actaeon, and The Death of Actaeon), is a tribute to Monica Mason who is retiring as artistic director of the Royal Ballet. The three ballets involved seven choreographers! The theme of the paintings finally came to life …

Read more >


Royal Ballet Triple: Birthday Offering/ A Month in the Country/ Les Noces, Covent Garden, July 2012

A second view, with a different cast — see my opening night review for more details. As before, Tom Seligman conducted Birthday Offering with Barry Wordsworth taking the other two ballets, and things got off to a fine start as Seligman produced swelling sounds from the orchestra to Glazunov’s Concert Waltz No. 1. Later the music interleaves excerpts …

Read more >


The Prince of the Pagodas, Royal Ballet, Covent Garden, June 2012

King Lear meets Sleeping Beauty in this mid-1950s fairy tale creation by John Cranko, to music commissioned from Benjamin Britten. After the Cranko ballet fell out of the repertoire, Kenneth MacMillan made his own version in 1989. This revival now contains some cuts to the music that he originally intended, but was not permitted to make. …

Read more >


Ballo della Regina, with Nuñez and Kish/ La Sylphide, with Cojocaru and McRae, Royal Ballet, Covent Garden, May 2012

Ballo Della Regina (The Queen’s Ball) is a short Balanchine work set to music that was cut from Verdi’s opera Don Carlo. This ballet involves a sequence of variations, first with twelve girls in blue, joined by two principals in white. After a pas-de-deux for the principals, four soloists in violet come on one at a time, and …

Read more >


Royal Ballet Triple: Asphodel Meadows, Enigma Variations, Gloria, Covent Garden, November 2011

The first and last items on this excellent programme are to music by Poulenc, and both these two ballets — though not the music — deal with death. In an announcement at the start of the evening, a request was made for no applause during Gloria. As a result the audience seemed hesitant about applauding the …

Read more >


Royal Ballet Triple: Scènes de Ballet/ Voluntaries/ The Rite of Spring, Covent Garden, May 2011

The three works in this mixed bill fit beautifully together. Scènes de Ballet is a wonderful work by Frederick Ashton to a piece Stravinsky composed in 1944 for a Ziegfeld review. The stylised brilliance of Ashton’s choreography, with its unexpected poses and épaulement, suits the sharp elegance of music, evoking an era wiped out by the …

Read more >


Ballo della Regina/ Live Fire Exercise/ DGV:Danse à Grande Vitesse, Royal Ballet, Covent Garden, May 2011

This triple bill made for a rather fragmented evening, because the first two pieces took only 36 minutes between them, while the two intervals lasted half an hour each. But it was all worth it because the final item, Christopher Wheeldon’s Danse à Grande Vitesse, was wonderfully invigorating and performed with great energy. A clear stage …

Read more >


Rhapsody, Sensorium, and Still Life at the Penguin Café, Royal Ballet, Covent Garden, March 2011

Why were there empty seats? This is a wonderful Triple Bill, and the Royal Ballet gave a glorious performance, yet on the Grand Tier four boxes in a row were empty. All paid for no doubt, but unused for some of the finest dancing the Company can produce. The evening started with Rhapsody to Rachmaninov’s well-known Rhapsody …

Read more >


Swan Lake, with Nuñez and Soares, Royal Ballet, Covent Garden, March 2011

Marianela Nuñez was lovely as the white swan, and seductively assured as the black swan in Act III. Thiago Soares was excellent as her lover, …

Read more >


Giselle, Royal Ballet, live relay from Covent Garden, January 2011

This two-act ballet creates a wonderful dichotomy between daylight and night-time. Act I is set in the everyday world, but the second act takes place in world of the wilis, spirits of dead maidens who rise up and destroy any young man they encounter.

Read more >


Cinderella, Royal Ballet, Covent Garden, November 2010

One of the lovely things about Ashton’s Cinderella is the intermingling of the real world with the magical world.

Read more >


La Valse/ Invitus Invitam/ Winter Dreams/ Theme and Variations, Royal Ballet, Covent Garden, October 2010

The high point of this lovely mixed bill was Theme and Variations, created by Balanchine in 1947 for Alicia Alonso and Igor Youskevitch. The following year Ms. Alonso founded the Cuban National Ballet, and now at almost 90 years old did us the honour of attending, and appearing on stage at the end flanked by Monica …

Read more >


Royal Ballet Triple: Chroma, Tryst, Symphony in C, Covent Garden, May 2010

…putting on this triple bill is quite a feat. Three different conductors, dozens of dancers, many with difficult roles — the Royal Ballet surpasses itself, and the auditorium should really be full to bursting.

Read more >


Royal Ballet Triple: Electric Counterpoint, Asphodel Meadows, Carmen, Covent Garden, May 2010

Asphodel Meadows is a very interesting new ballet by Liam Scarlett, to Poulenc’s Concerto in D minor for two pianos and orchestra.

Read more >


MacMillan Triple: Concerto, The Judas Tree, Elite Syncopations, a second view, Royal Ballet, March 2010

Marianela Nuñez was outstanding in the second female solo [of Elite Syncopations], so musical, and with enormous precision and attack.

Read more >


Triple Bill: Concerto, The Judas Tree, Elite Syncopations, Royal Ballet, March 2010

If you need a reason to go to the ballet, the final item alone is worth the price of the ticket, but there are only six performances of this triple bill, with the last one on 15th April.

Read more >


Sleeping Beauty, Royal Ballet, January 2010

…the dancing was excellent, so why was it that the applause during the performance was lukewarm?

Read more >


Review — Royal Ballet Triple Bill: Agon, Sphinx, and Limen, 13th November 2009

In Cocteau’s 1934 play La machine infernale the Sphinx challenges her own destiny. Weary of immortality she desires love and freedom, and takes the guise of a young woman.

Read more >


Triple Bill — Agon, Sphinx, and Limen, Royal Ballet, November 2009

The choreography [of Limen] fitted very well with the lovely music by Finnish composer Kaija Saariaho

Read more >


Sleeping Beauty, Royal Ballet, October 2009

This lovely production by Monica Mason and Christopher Newton, using the old Oliver Messel designs with additions by Peter Farmer, is one of the company’s gems

Read more >


Tribute to Diaghilev, Royal Opera House, June 2009

This was a delightful mixture of divertissements, very ably conducted by Valery Ovsianikov with the orchestra of the English National Ballet.

Read more >


Giselle, Royal Ballet, April 2009

…altogether a fine performance of Giselle, and Boris Gruzin did an excellent job with the music, conducting with vibrancy and sensitivity.

Read more >