Tag Archives: Mariame Clément

Don Pasquale, Glyndebourne, GFO, July 2017

What a pleasure to see Mariam Clément’s 2013 Festival production revived. On its revolving stage, split into three rooms, we see the charming Dr. Malatesta of Moldovan baritone Andrey Zhilikhovsky flitting like a spirit at the start of the performance. Malatesta is the soul of this opera, a Figaro-like character whose deceptions are the essence …

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L’Étoile, Royal Opera, ROH, Covent Garden, February 2016

Is this little-known French farce the sort of thing Covent Garden should be doing? Whatever the answer — and audience reception on its first night was very positive — the ROH certainly did it with great verve. The production by Mariame Clément with designs by Julia Hansen is a blaze of colour and clever ideas, …

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Poliuto, Glyndebourne, GFO, May 2015

Composed for Naples in 1838, but banned because of the subject matter, it took another ten years before a production of the original was mounted in Italy, just a few months after Donizetti’s death. In the meantime Paris had taken it on as a grand opera under the title Les Martyrs, with a new text …

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Don Pasquale, Glyndebourne, July 2013

Ultimately based on Ben Jonson’s play The Silent Woman, the main character is an elderly bachelor who suddenly takes it into his head to find a young wife and raise a family. This is partly to disinherit his nephew, Ernesto, who refuses to marry the woman chosen for him, and the solution to this problem …

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