Tag Archives: Madeleine Shaw

Der Rosenkavalier, Welsh National Opera, WNO, Cardiff, June 2017

The recent cinema screening of Robert Carsen’s Rosenkavalier production (London and NY) shows a subtle emphasis on the passing of time, and this production takes a similar viewpoint but in a more overt manner. Judging by most of the costumes, the setting is presumably about 1911 when the opera was written and the passing of …

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Rigoletto, English National Opera, ENO, London Coliseum, February 2017

Now that Christopher Alden’s stale and pretentious North American production has been aborted after a single run, we are back with Jonathan Miller’s gangland setting, looking as fresh as ever. Wonderful. This superb production well matches the tragedy that unfolds in what became a turning point in Verdi’s operatic career. Before its premiere in Venice …

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The Mastersingers of Nuremberg, English National Opera, ENO, London Coliseum, February 2015

Although one of the greatest operas ever written, it is not unknown for directors and conductors to make a mess of it, even at Wagner’s own temple in Bayreuth, but not at the ENO, thank God! This resounding success throws down the gauntlet to those Beckmessers in the Arts Council who not only mark down …

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Carmen, English National Opera, ENO, London Coliseum, November 2012

The ENO’s new production of Carmen by Calixto Bieito is a stunner. No romantic gypsies here, but a bunch of nasty crooks who don’t bother to tie up Zuniga when he appears in Act II, but simply kick the hell out of him behind their Mercedes. And in Act III after Micaëla, beautifully sung by Elizabeth Llewellyn, …

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Der Rosenkavalier, English National Opera, ENO, London Coliseum, January 2012

For those who love this Strauss/Hofmannsthal collaboration, the programme booklet contains an interesting essay by Mike Reynolds, describing the vital contributions by Hofmannsthal’s collaborator, Count Harry Kessler. This well-connected and talented man, who was brought up in France, England and Germany, chose the plot and had a huge influence on its structure and realisation. The …

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Rigoletto, ENO, English National Opera, September 2009

The jester, named Triboulet in Hugo’s play, becomes Rigoletto in the opera, and is surely one of Verdi’s great creations, sung here by Anthony Michaels-Moore, who played him with enormous sensitivity.

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