Tag Archives: Lise Davidsen

Tannhäuser, Bayreuth Festival, July 2019

In Wagner’s Tannhäuser the representation of the Venusberg scene, compounded by its subsequent appeal within Tannhäuser’s mind, is a perennial problem. But in Tobias Kratzer’s new production the nineteenth century image of a den of debauchery is replaced by an exhilarating, wildly modern approach with four misfits: Venus, a dwarf, a black drag queen, and …

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Der Ring des Nibelungen, Royal Opera, ROH, Covent Garden, September 2018

Keith Warner’s production of the Ring  alludes to connections with modern physics: in Rheingold  the tarnhelm deforms the gridlines of Cartesian space to the curved space-time of Einstein’s General Relativity, and in Götterdämmerung,  Siegfried’s Rhine journey traverses both space and time. In Siegfried  Act 1, Mime adds mathematical symbols to those already written and in …

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