Opera, Ballet, Theatre, ...
Entering the Linbury Studio you go downstairs — the whole venue is underground, as is the witch’s kitchen in Liam Scarlett’s new dark version of Hansel and Gretel, where the children are tied up in a dungeon. Scarlett’s ballet is set in 1950s America, and by coincidence the big news story of the moment concerns …
This double bill by the Jette Parker Young Artists was a delight. Bastien and Bastienne is a singspiel written by Mozart in 1768 when he was just 12 years old. It is based on a one-act opera Le devin du village by Jean-Jacques Rousseau, and deals with two lovers who are brought together by the local devin (soothsayer). Rousseau’s work …
Just after Christmas in the year 1900 a steamer went to the Flannan Islands Lighthouse bringing a keeper to relieve one of the three keepers already there. The Flannan Isles are a lonely spot beyond the Outer Hebrides, and when the steamer arrived the three keepers had vanished into thin air. What happened? This remarkable …
This delightful comic opera by Benjamin Britten creates a deftly woven musical tapestry performed by thirteen instrumentalists and roughly the same number of singers. Eric Crozier based his libretto on a tale by Guy de Maupassant, transferring it to a Suffolk town and creating a glorious critique of small town mentality, pomposity and sexual repression. …
Wow! This was a remarkable achievement by 33 year old composer Tarik O’Regan, along with a libretto by artist Tom Phillips. They have packed Joseph Conrad’s novella into 75 minutes of gripping musical narrative, starting in London with the old sea captain, Marlow — beautifully sung by Alan Oke — in a moment of recollection, “He was …
This is perhaps the most exceptional production in the Linbury Studio for 2011 — a retelling of Franz Kafka’s strange story Die Verwandlung.
This is a story about the desecration of the environment, told in the form of gluttony and the abandonment of boundaries in the bringing up of a spoiled young prince.
In Genesis Chapter 18 three unknown men visit Abraham. He welcomes them warmly and gives them food. In return they tell him that his wife Sarah will have a child, though “it ceased to be with Sarah after the manner of women”. She laughs, but the Lord promises to return a year hence when she …
Kurt Weill is the composer of two operatic works that I like very much — The Threepenny Opera (Berlin, 1928) and Street Scene (New York, 1947) — along with lots of glorious songs from other stage works. I was delighted to hear many of those songs in this drama created by Kate Flatt and Peter Rowe, with …
It’s a pleasure to see English Touring Opera in London, and know that they will be taking this delightful production to other cities. It deserves to be a sell-out everywhere.
One might expect an operatic treatment of King Lear to be of Wagnerian proportions, yet Alexander Goehr’s version lasts only one and three quarter hours, including an interval.
The music was rhythmically intense, as one would expect from Glass, and its energy carried the strange plot forward.
This is definitely worth a visit to see the eclectic style of choreography, and the dancing of Rojo, McRae, and Franzen.
The inspiration for this opera was far more striking than the result.
The failure of Britten’s composition might have been alleviated by the production team, led by Justin Way, but the deliberately ham acting and garish costumes were over the top, and the production did not fit the style of Britten’s music.
