Tag Archives: Linbury studio

Elizabeth, Royal Ballet, ROH Linbury Studio, Covent Garden, January 2016

This ballet on the life and loves of Elizabeth I, originally shown in 2013 at the Royal Naval College in Greenwich, is now making a well deserved appearance at the Royal Opera House. It is a remarkable creation by Will Tuckett, with text and co-direction by Alasdair Middleton, and music by Martin Yates. Yates has …

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La scala di seta, Royal Opera Young Artists, ROH Linbury Studio, October 2014

First produced in Venice when Rossini was just 20, this comic farce is a little gem. Its quality is sometimes called into question by a story that the impresario who commissioned it served the young composer with a poor libretto by Giuseppe Maria Foppa to which Rossini responded with slapdash music. Whatever the truth of …

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The Trial, Music Theatre Wales, Linbury Studio, ROH, October 2014

In Kafka’s novel The Trial an ordinary intelligent man is caught up in a process to which he earnestly hopes he can find a clear end, and this musical realisation by Philip Glass, with a libretto by Christopher Hampton, captures the comedy and close observation of the original. There could, I suppose, be a temptation …

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Paul Bunyan, English Touring Opera, ETO, Linbury Studio, ROH, February 2014

Paul Bunyan was a legendary folk hero in nineteenth century America, a lumberjack of mythical size and strength. The myth may have started with a French Canadian, Paul Bunyon, who led fellow loggers in a rebellion against British troops in 1837, but whatever the origin, stories told around campfires enhanced his size to gigantic proportions, …

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King Priam, English Touring Opera, ETO, Linbury Studio, ROH, February 2014

This opera is all over in two and half hours including an interval, which is extraordinary because the story is HUGE. This is the Trojan War, told from the perspective of Troy. Act I gives us the background, starting with King Priam’s dilemma on whether to let his baby son Paris live, or have him …

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Hansel and Gretel, Royal Ballet, ROH Linbury Studio, May 2013

Entering the Linbury Studio you go downstairs — the whole venue is underground, as is the witch’s kitchen in Liam Scarlett’s new dark version of Hansel and Gretel, where the children are tied up in a dungeon. Scarlett’s ballet is set in 1950s America, and by coincidence the big news story of the moment concerns …

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Bastien and Bastienne, Mozart and Salieri, Royal Opera House, Linbury Studio, October 2012

This double bill by the Jette Parker Young Artists was a delight. Bastien and Bastienne is a singspiel written by Mozart in 1768 when he was just 12 years old. It is based on a one-act opera Le devin du village by Jean-Jacques Rousseau, and deals with two lovers who are brought together by the local devin (soothsayer). Rousseau’s work …

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The Lighthouse, English Touring Opera, ETO, Linbury Studio, Covent Garden, October 2012

Just after Christmas in the year 1900 a steamer went to the Flannan Islands Lighthouse bringing a keeper to relieve one of the three keepers already there. The Flannan Isles are a lonely spot beyond the Outer Hebrides, and when the steamer arrived the three keepers had vanished into thin air. What happened? This remarkable …

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Albert Herring, English Touring Opera, ETO, Linbury Studio, Covent Garden, October 2012

This delightful comic opera by Benjamin Britten creates a deftly woven musical tapestry performed by thirteen instrumentalists and roughly the same number of singers. Eric Crozier based his libretto on a tale by Guy de Maupassant, transferring it to a Suffolk town and creating a glorious critique of small town mentality, pomposity and sexual repression. …

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Heart of Darkness, Linbury Studio, Royal Opera House, Covent Garden, November 2011

Wow! This was a remarkable achievement by 33 year old composer Tarik O’Regan, along with a libretto by artist Tom Phillips. They have packed Joseph Conrad’s novella into 75 minutes of gripping musical narrative, starting in London with the old sea captain, Marlow — beautifully sung by Alan Oke — in a moment of recollection, “He was …

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The Metamorphosis, Linbury Studio, Royal Opera House, Covent Garden, September 2011

This is perhaps the most exceptional production in the Linbury Studio for 2011 — a retelling of Franz Kafka’s strange story Die Verwandlung.

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Seven Angels, Royal Opera House, Linbury Studio, July 2011

This is a story about the desecration of the environment, told in the form of gluttony and the abandonment of boundaries in the bringing up of a spoiled young prince.

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Clemency, Linbury Studio, Royal Opera House, Covent Garden, May 2011

In Genesis Chapter 18 three unknown men visit Abraham. He welcomes them warmly and gives them food. In return they tell him that his wife Sarah will have a child, though “it ceased to be with Sarah after the manner of women”. She laughs, but the Lord promises to return a year hence when she …

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Songs from a Hotel Bedroom, Linbury Studio, ROH, Covent Garden, November 2010

Kurt Weill is the composer of two operatic works that I like very much — The Threepenny Opera (Berlin, 1928) and Street Scene (New York, 1947) — along with lots of glorious songs from other stage works. I was delighted to hear many of those songs in this drama created by Kate Flatt and Peter Rowe, with …

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The Duenna, English Touring Opera [ETO], Royal Opera House Linbury Studio, October 2010

It’s a pleasure to see English Touring Opera in London, and know that they will be taking this delightful production to other cities. It deserves to be a sell-out everywhere.

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Promised End, English Touring Opera, Royal Opera House Linbury Studio, October 2010

One might expect an operatic treatment of King Lear to be of Wagnerian proportions, yet Alexander Goehr’s version lasts only one and three quarter hours, including an interval.

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In the Penal Colony, Linbury Studio, Royal Opera House, September 2010

The music was rhythmically intense, as one would expect from Glass, and its energy carried the strange plot forward.

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Goldberg, The Brandstrup-Rojo project, Royal Opera House, Linbury Studio, September 2009

This is definitely worth a visit to see the eclectic style of choreography, and the dancing of Rojo, McRae, and Franzen.

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Parthenogenesis, Royal Opera House, Linbury Studio, June 2009

The inspiration for this opera was far more striking than the result.

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The Beggar’s Opera by Benjamin Britten, Linbury Studio, Royal Opera House, Jan 2009

The failure of Britten’s composition might have been alleviated by the production team, led by Justin Way, but the deliberately ham acting and garish costumes were over the top, and the production did not fit the style of Britten’s music.

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