Opera, Ballet, Theatre, ...
This intriguing production by Hans Neuenfels, now in its third year, concentrates on the people rather than the distant historical setting in which Wagner sets his opera. The stage action starts already during the overture with Lohengrin in an antiseptically white room trying to get out, which he eventually achieves by simply walking backwards through …
The video projections of rats fighting and metaphorically trying to take over the kingdom were clever, and I loved the opening of Act II with a dead horse and overturned carriage.
Five Wagner operas in six days … was quite a marathon, but well worth it, particularly for three of the productions.
Rossini’s comment that, “Wagner has lovely moments but awful quarters of an hour” was spoken before Die Meistersinger was created, and this opera has, for me, not a dull moment — it’s one glorious thing after another. Of course a determined director can spoil it, as happened at Bayreuth this past summer in Katharina Wagner’s diabolical production, …
…this year’s production of Meistersinger was apparently even more ludicrous that last year’s.
