Tag Archives: Katarina Dalayman

Dialogues des Carmelites, Glyndebourne, June 2023

Silently, each nun leaves the stage. The swish of the guillotine is heard, and a pair of shoes comes flying across to hit the opposite stage wall. The little group of nuns slowly reduces in number, and the pairs of shoes are a reminder of the Nazi Holocaust. The director Barrie Kosky has created a …

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Salome, Royal Opera, September 2022

Based on Oscar Wilde’s 1891 play Salomé, this opera uses the nexus of eroticism and death to dramatise proto-Christian ideas in the Holy Land. Its main protagonists are the anti-heroine Salome and John the Baptist whose head she demands on a platter. Conducting by Alexander Soddy fully brought out the drama, sexuality and passion of …

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Katya Kabanova, Glyndebourne, May 2021

The opening night of Glyndebourne’s season featured a vibrant production of Janaček’s dramatic opera Katya Kabanova with the wonderful Czech soprano Kateřina Kněžíková in the title role. A superb performance under the baton of Robin Ticciati in a new production by Damiano Michieletto. My review in The Article.

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Parsifal, BBC Proms, Royal Albert Hall, August 2013

The Albert Hall was the first venue for a concert performance of Parsifal, at least in England, just two years after the Bayreuth premiere of 1882. At that time copyright protection restricted staged performances to Bayreuth, but who needs a full staging? This 2013 performance with powerful musical direction by Mark Elder, and subtle stage …

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Parsifal, Metropolitan Opera live cinema relay, 2 March 2013

A stunning performance with a wonderful cast under superb musical direction by Daniele Gatti could make for a series of tiresome superlatives, so I shall start with a more interesting observation. This endlessly intriguing opera allows every production to bring out some new aspect. The brilliant Bayreuth production relates it to the history of Germany …

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