Tag Archives: Jung Soo Yun
Posted on 10 February 2020
Following his hat trick of Il Trovatore, Rigoletto and La Traviata, Verdi satisfied a Paris commission with this work about the Sicilian uprising in 1282. French grand opera did not really suit Verdi, and the libretto by Eugène Scribe was a hack job, but the music is largely wonderful — my review in The Article.
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Posted on 25 June 2019
This opera about Anne Boleyn was Donizetti’s first big success in 1830, and under the excellent baton of Jeremy Silver singers and orchestra came together to bring it fully to life. During the overture we see a silent mime where a queen removes her crown and her jewels, observed by a noble lady in a green …
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Posted on 8 July 2018
This early Verdi opera is set in Peru, based on a play that Voltaire designed to criticise the smug superiority of conventional Christianity in a foreign context. Its libretto by Salvatore Cammarano of the Teatro San Carlo in Naples ignored most of Voltaire’s subtleties, but Verdi was delighted to be working with him and continued …
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Posted on 8 July 2017
Last year the Buxton Festival put on a very successful Leonora, rather than its later version Fidelio, and this year sees the original 1847 version of Verdi’s Macbeth. Its directness and freshness are illuminated by Elijah Moshinsky’s minimal, darkly-lit, and very effective staging with excellent movement conveying the powers of hell embodied in the witches, …
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Posted on 26 July 2014
Why is this glorious bel canto opera not performed more often? The reason is surely that one needs a terrific Norma, and Opera Holland Park produced one. Yvonne Howard was superb, and with Heather Shipp as Adalgisa these are performances not to be missed. Their duet towards the end of Act I when Adalgisa comes …
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Posted on 7 July 2012
Mascagni, friend of Puccini and composer of the hugely successful Cavalleria Rusticana, produced more than a dozen other operas. Cav was his second, and L’amico Fritz (OHP last year) the third. Now Opera Holland Park have produced a later one, Zanetto which, like Fritz, suffers from a very weak libretto. But it was gloriously sung by Janice Watson as the wealthy, celebrated, but lovelorn Silvia, and Patricia …
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