Tag Archives: Jonathan Lemalu
Posted on 16 June 2024
Poppea was the mistress, later wife, of the Roman emperor Nero, and this final opera by Monteverdi deals with an entirely human drama. First performed in 1643 it helped move opera away from purely Classical subjects about gods and heroes — see my review in The Article.
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Posted on 20 March 2023
Mozart’s final opera, Die Zauberflöte (The Magic Flute) is a masterpiece. It sets the realm of night and obscurantism against that of daylight and rational thinking. These opposing worlds are ruled by the Queen of the Night, and Sarastro, named after the great Iranian prophet Zoroaster. Sadly the depth of this opera is lost in …
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Posted on 27 June 2022
What a wonderful production, simple, bewitching and highly effective. The use of dancers helped the atmosphere (unlike their use in many productions), dark and menacing. Brilliantly conducted by young Italian conductor Francesco Cilluffo who gave this relatively early Verdi the energy it deserves. My review in The Article.
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Posted on 28 May 2019
A terrific revival of Tosca with Bryn Terfel as Scarpia and Kristine Opolais as Tosca under the wonderfully sensitive baton of Alexander Joel. Vittorio Grigolo’s resounding tenor as Cavaradossi lacked some magic and nobility, but wonderful performances of Angelotti and the Sacristan. See my review in The Article.
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Posted on 30 June 2018
The one non-singing role in this Mozart Singspiel— the Ottoman Pasha Selim — at the very end turns out to be the noblest character in the story. In the meantime his unrequited passion for Konstanze has led him to threaten terrible punishment if she fails to reciprocate his ardour. She has been purchased as a …
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