Tag Archives: James Hay

Royal Ballet Mixed Bill: The Vertiginous Thrill of Exactitude/ Tarantella/ Strapless/ Symphonic Dances, ROH, Covent Garden, May 2017

The main focus of this mixed bill is its final item, Liam Scarlett’s new work to Rachmaninov’s Symphonic Dances. The abundant melody of this 1940 composition allows ideas to emerge in and around each other, skilfully expressed in Scarlett’s choreography. For the forces of nature in this music, brilliantly conducted by Koen Kessels, Scarlett and …

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Jewels, Royal Ballet, ROH, Covent Garden, April 2017

On the back of the cast list is an ad for jewellers Van Cleef and Arpels, who though failing to bankroll Balanchine’s original production, are delighted to have their name associated with the eventual result: Emeralds to Fauré’s incidental music for Pelleas and Melisande; Rubies to Stravinsky’s Capriccio for piano and orchestra; and Diamonds to …

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The Nutcracker, Royal Ballet, ROH, Covent Garden, December 2015

This Christmas sees the Royal Ballet reviving Nutcracker — absent last year in favour of Don Q and Alice — in the Peter Wright production that has been with the Company for over thirty years. Yet it still looks entirely fresh, as did the dancers on opening night with Francesca Hayward and Alexander Campbell making …

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Swan Lake, with Osipova and Golding, Royal Ballet, ROH, Covent Garden, February 2015

The performance on 21 February was the best I’ve seen so far in the present run, not least because Boris Gruzin in the orchestra pit gave a superb rendering of Tchaikovsky’s score. It was far better than the brash energy of the first night — given no doubt after insufficient rehearsal time, since Gruzin has …

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Royal Ballet Triple Bill: Ceremony of Innocence, Age of Anxiety, Aeternum, Royal Ballet, ROH, Covent Garden, October 2014

This triple bill takes us from the loss of childhood innocence to the memory of parents passed away, ideas that frame the first and third items, both to music of Benjamin Britten. Ceremony of Innocence appears in W B Yeats’ poem The Second Coming as ‘The ceremony of innocence is drowned’, a line that Britten …

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Royal Ballet Mixed Bill: Scènes de ballet, Five Brahms Waltzes, Symphonic Variations, Month in the Country, Covent Garden, October 2014

Four Ashton ballets in one evening — what a spoil. The first and third created just after the Second World War, the other two in 1976. Scénes de ballet is a perfect opener. Stravinsky’s music, originally commissioned for a Broadway revue, was conducted with suitable astringency by Emmanuel Plasson, making a striking contrast to one …

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Sleeping Beauty, with Choe and Hirano, and Lamb and McRae, Royal Ballet, Covent Garden, 13 March 2014

What a huge pleasure to see Yuhui Choe and Ryoichi Hirano in the main roles at the matinee. Her dancing, so full of joy, was absolutely on the music, and a better Rose Adagio one could hardly hope for. With Hirano’s noble and dashing Prince their partnership gave a beautiful expression of the story, helped …

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Sleeping Beauty, with Cuthbertson and Golding, Royal Ballet, Covent Garden, 22 February 2014

This is a brief review of the Saturday matinee on 22nd February, in which Matthew Golding made a wonderful replacement for Rupert Pennefather as the Prince. The easy grace of his entrance in Act II, followed by his solo adagio exhibited a glorious lightness of being, complemented by an air of quiet authority as he …

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Hansel and Gretel, Royal Ballet, ROH Linbury Studio, May 2013

Entering the Linbury Studio you go downstairs — the whole venue is underground, as is the witch’s kitchen in Liam Scarlett’s new dark version of Hansel and Gretel, where the children are tied up in a dungeon. Scarlett’s ballet is set in 1950s America, and by coincidence the big news story of the moment concerns …

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Royal Ballet Triple: Apollo/ 24 Preludes/ Aeternum, Covent Garden, February 2013

Two completely new ballets, plus one staple from the Balanchine repertoire, made a very well judged triple bill. Alexei Ratmansky’s dances to Chopin’s 24 Preludes were sandwiched between the ethereal Apollo, and Christopher Wheeldon’s powerful new creation to Benjamin Britten’s Sinfonia da Requiem. More on that later, but first to Apollo. Patricia Neary’s staging goes back to Balanchine’s …

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Rhapsody, Sensorium, and Still Life at the Penguin Café, Royal Ballet, Covent Garden, March 2011

Why were there empty seats? This is a wonderful Triple Bill, and the Royal Ballet gave a glorious performance, yet on the Grand Tier four boxes in a row were empty. All paid for no doubt, but unused for some of the finest dancing the Company can produce. The evening started with Rhapsody to Rachmaninov’s well-known Rhapsody …

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Swan Lake, with Nuñez and Soares, Royal Ballet, Covent Garden, March 2011

Marianela Nuñez was lovely as the white swan, and seductively assured as the black swan in Act III. Thiago Soares was excellent as her lover, …

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