Mainly Opera and Ballet
When Ibsen was about 21 he fell in love with Clara Ebbell, an intelligent, spirited girl two years his junior, considered to be the town’s most brilliant young lady. A similar thing happens in this play to the poet Falk and his beloved Svanhild, one of two daughters in a house presided over by Mrs Halm. …
Moving inland from the sea can create a residual yearning for freedom, the wish to escape from a marriage, and this play by Ibsen has a feeling of impending tragedy. Yet given the freedom you desire, you may decide to stay on land, and tragedy can turn in a moment to a promise of stability …
Hilde Wangel … was brilliantly played by Gemma Arterton, portraying her as very attractive, assertive and a bit of a minx. She charms everyone, and is the one character in this performance who is quite obviously crazy. But isn’t Solness crazy too? ….
“No, I can’t take it anymore” says Knut Brovik, an old architect who now works for Halvard Solness, the Master Builder.
If we as humans are motivated by sex, money and power, then Rosamund Pike’s Hedda shows a complete absence of interest in the first two, and her twisted use of power is what produces the final bang in this well-judged production by Adrian Noble.
