Mainly Opera and Ballet
Gluck’s Orfeo ed Euridice and Purcell’s Dido and Aeneas are in a sense mirror images of one another. The Gluck starts with a tragic death and ends happily, the Purcell is the reverse. Gluck’s opera, first performed in Vienna in 1762, had a great effect on what came later in Germany and was particularly influential …
This Yeomen of the Guard was huge fun. Gone are the days when the English National Opera wanted to be at the vanguard of companies creating new and sometimes absurd twists on much loved operas. That has disappeared, at least for now, and sensible stagings are the order of the day. See my review in The …
To understand the link from Handel’s opera seria to the late eighteenth and early nineteenth century, Mozart’s Idomeneo is a key work that tackles Greek drama with knowing psychological insight. This sensible production by Stephen Medcalf gives clarity to the story, allowing the music to speak for itself and enhancing the theatrical aspects with a chorus performing …
Rossini’s delightful Cenerentola is just the thing for Opera Holland Park, particularly in this charming a witty Oliver Platt production brought to life by a fine cast. The splendid designs by Neil Irish contrast the black, white and silver of the courtiers in the ball scene, with the garish colours of the ugly sisters and …
