Mainly Opera and Ballet
A simple production by using images of future events as a clever device to inject an element of fatalism. Conducted by the new artistic director Adrian Kelly it boasted luxury casting with Joshua Bloom as Prince Gremin, along with George Humphreys as an Onegin who acquired sympathetic gravitas as the opera progressed, plus fine performances …
In February 2013 this was Kasper Holten’s first new production after being appointed opera director, and it is ironic that this revival occurs less than two weeks after he handed in his notice. It is now a co-production with Turin and Opera Australia, and has undergone changes. There is slightly less use of the dreadful …
A revival of Graham Vick’s successful Onegin production opened the second night of the Glyndebourne season, with the London Philharmonic under the very capable baton of Israeli conductor Omer Meir Wellber playing with energy and passion. In the first two acts the Lensky of Edgaras Montvidas stole the show. Partly trained in the Royal Opera’s …
Artistic director Kasper Holten decided quite sensibly to take over the scheduled revival of an earlier production, and do something new. He was already endowed with some fine singers, so there were excellent performances here, including sympathetic conducting by Robin Ticciati. Simon Keenlyside sang strongly as Onegin though the production prevented him from giving a full portrayal …
Having seen Onegin performed on a large stage by major opera companies, with glamorous ball scenes and spacious settings for the Larin country estate, I approached this smaller stage production with some trepidation. But it was a revelation. The simple sets provide the perfect atmosphere, and the performance gives a wonderful insight into Tchaikovsky’s representation of Pushkin’s drama. The solo …
