Mainly Opera and Ballet
This classic 1980 production by John Schlesinger, superbly revived by Daniel Dooner, provides the juxtaposition of magic and reality inherent in so many of E T A Hoffmann’s stories. The play by Barbier and Carré that underlies Offenbach’s opera is based on a selection of his tales that illuminate the dichotomy between life and art, …
After the superb Proms concert performance of this opera four years ago, under Pappano with some of the same cast, this keenly anticipated new production fell sadly short. A black-clad SWAT team with machine guns, lighting from stage rear that glares out at the audience, on-stage characters not in the drama — seen it all before. …
A young man brought up in a foreign country encounters an old man who gets in his way, so he sweeps him aside with his sword, not knowing it is his grandfather. Shades of the Oedipus myth here, but the curse comes not from marrying his mother but taking the Ring. The old man, Wotan, …
At both La Scala and the Berlin Staatsoper, I saw Daniel Barenboim conduct similar casts, in the same production by Guy Cassiers whose Walküre Act III is shown on the front cover of the BBC libretto. The Proms have brought over the Staatsoper orchestra from Berlin, which forms a terrific team with Barenboim conducting, and …
What a terrific start to the Ring this was. Even before Daniel Barenboim entered the auditorium, to huge applause, there was a real buzz of anticipation and it all ended with a sustained ovation. I was not intending to write this up until the end of the cycle, particularly having heard the same conductor and …
What a privilege to witness such an outstanding performance of opera, with the incomparable Jonas Kaufmann in the title role. You want to stay and savour the applause, to recall the extraordinary soliloquy by Ferruccio Furlanetto as Philip II at the start of Act IV, when he expresses in words the emotional pain he has …
Wotan’s meeting with Erda that starts Act III of Siegfried is a focal point in his demise. After awakening her for advice she tells him to ask Brünnhilde, their daughter bold and wise, but learning Wotan has cast her aside, she asks why he who taught defiance punished defiance, why he who ruled by vows now …
This prologue to Wagner’s Ring promises a feast of fine singing and acting in the remaining three operas of the cycle. Bryn Terfel sang as well or better than I have ever heard him in the role of Wotan, emphasising maturity and self-awareness, showing he realises he has set in motion something against which the …
It’s a human drama of huge proportions, and Ferruccio Furlanetto in the central role of Philip II of Spain showed to perfection the king’s isolated uncertainty and emotional distress.
