Tag Archives: Emma Bell

Tannhäuser, Royal Opera, ROH, Covent Garden, April 2016

This first revival of Tim Albery’s 2010 production was very welcome, with a cast in some ways stronger than that of five seasons ago. The most prominent feature of the production is the on-stage version of the main proscenium arch complete with Royal Opera House curtains, representing the entrance to the Venusberg. Its later decayed …

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Dialogues des Carmélites, Royal Opera, Covent Garden, May 2014

Premiered at the Netherlands Opera in 1997, Robert Carsen’s award winning production has done the rounds before making its London debut as the first Carmélites at the ROH since 1983. Aesthetically abstract, it uses clever lighting on an open stage, and the vast number of chorus and extras emphasise the mass psychology underpinning the reign …

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Fidelio, English National Opera, ENO, London Coliseum, September 2013

Fidelio is far from my favourite opera, so for me the novelty of this new staging was a welcome departure from the usual dreary prison. Catalan director Calixto Bieito has instead placed the events in a modern setting of steel and glass, the prisoners being so-to-speak trapped in offices where they spend most of their …

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Lohengrin, Welsh National Opera, Cardiff, May 2013

At the end of this illuminating new production by the WNO, Elsa’s younger brother Gottfried assumes the symbols of power left for him by Lohengrin, causing the assembled forces of the army, except the King and Herald, to cower away. He then raises his hand against Ortrud in her glorious red dress, and she crumples, …

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The Cunning Little Vixen, Glyndebourne, May 2012

Standing outside in the grounds of Glyndebourne facing the ha-ha near the new statues of hunting dogs, one looks to the left and sees a green hill just like the one on stage; and in front of the stage hill is a tree made of pieces of wood. The stage tree lends an air of …

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Miss Fortune, Royal Opera, Covent Garden, March 2012

The title of this opera is a play on words, the eponymous character being the daughter of Lord and Lady Fortune, whose riches have melted away, and after the chorus sings, “We think you should go to gaol”, they take off. Miss Fortune stays behind singing that, “I won’t scuttle away … I’m going to live in …

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Die Meistersinger von Nürnberg, Royal Opera, Covent Garden, December 2011

This was Antonio Pappano’s first Meistersinger for the Royal Opera, and from the start of the overture to the final chords of Act III, more than five hours later, his peerless conducting drove Wagner’s comedy forward with huge effect. The chorus too was excellent, from the first four-part harmony in the church to their final embrace of Sachs …

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Idomeneo, English National Opera, ENO at the London Coliseum, June 2010

… The music is wonderfully expressive of the conflicting emotions, and was superbly conducted by Edward Gardner …

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Glyndebourne 75th Anniversary Concert, Glyndebourne, June 2009

It also featured others with a strong Glyndebourne connection, such as Gerald Finley, Sarah Connolly, Emma Bell, and Kate Royal, who were all in the Glyndebourne chorus at one time, along with such luminaries as Thomas Allen, Sergei Leiferkus, Felicity Lott, and Anne Sofie von Otter.

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