Mainly Opera and Ballet
Schiller’s Don Carlos is an intensely human drama. It uses as a background the Spanish Court during the reign of Philip II, the same Philip who was co-ruler of England after his marriage to Mary I, daughter of Henry VIII. The drama tells of a love match between his son and heir Carlos, and Elisabeth …
A thrilling revival of the 2016 production, once again under the excellent baton of Gianluca Marcianò. Clive Bayley and Ruxandra Donose reprised their beautifully nuanced performances as Philip II and Princess Eboli, joined this time by international rising star Leonardo Capalbo as Carlo, and Brett Polegato as Rodrigo, both superb, with Marina Costa-Jackson singing strongly …
That great playwright Schiller did not let historical facts get in the way of a good story, and his Don Karlos is a gripping stage tragedy. Traducung the close and loving relationship between Philip II and his third wife Elizabeth de Valois, step-mother to Don Carlo, it was perfect for Verdi, who added elements of …
For a large opera house Verdi’s Don Carlo is quite a challenge, even in the four (rather than five) act version seen here. The great auto-da-fé scene at the end of Act II, where Carlo leads in a deputation from Flanders, threatens his father Philip II and is disarmed by Rodrigo, before the burning of …
What a privilege to witness such an outstanding performance of opera, with the incomparable Jonas Kaufmann in the title role. You want to stay and savour the applause, to recall the extraordinary soliloquy by Ferruccio Furlanetto as Philip II at the start of Act IV, when he expresses in words the emotional pain he has …
Imagine a Christian Taliban in Spain, putting men, women and children in Flanders — all heretics — to the sword.
