Tag Archives: Diana Montague

Marnie, English National Opera, ENO, London Coliseum, November 2017

From a powerful start with timpani and clashing chords, illustrating the energy and activity of a busy office, this opera opens out into thriller. As Marnie steals and steals again, giving money to her crabby mother to assuage some mysterious guilt, you wonder what next for this strangely self-absorbed young woman, and as a friend …

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Eugene Onegin, Royal Opera, ROH, Covent Garden, December 2015

In February 2013 this was Kasper Holten’s first new production after being appointed opera director, and it is ironic that this revival occurs less than two weeks after he handed in his notice. It is now a co-production with Turin and Opera Australia, and has undergone changes. There is slightly less use of the dreadful …

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Turn of the Screw, Opera Holland Park, OHP, July 2014

All performances start at 8 o’clock, and for good reason. The month is July and Act II emerges as the outside light gradually dims. In early Act I with daylight outside, Miles goes to a large blackboard on one side of the stage and draws the outline of what looks like a door. In the darker …

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Eugene Onegin, Glyndebourne, May 2014

A revival of Graham Vick’s successful Onegin production opened the second night of the Glyndebourne season, with the London Philharmonic under the very capable baton of Israeli conductor Omer Meir Wellber playing with energy and passion. In the first two acts the Lensky of Edgaras Montvidas stole the show. Partly trained in the Royal Opera’s …

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Faust, Royal Opera, ROH, Covent Garden, April 2014

With only a few weeks to go before opening night, Anna Netrebko pulled out from the role of Marguerite, but we need not have worried. Her replacement, 32-year old Bulgarian soprano Sonya Yoncheva, due to sing the same role at the Vienna State Opera next month, more than made up for the loss. She brought …

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I Gioielli della Madonna, Opera Holland Park, OHP, July 2013

“There’s a one-eyed yellow idol to the north of Kathmandu”, and the moral of the story is that if you steal jewels from a sacred idol, you will die, and the jewels will revert to their proper location. In that poem the jewel was stolen to satisfy the whim of a young woman, who rejected …

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The Return of Ulysses, English National Opera, ENO, at the Young Vic, March 2011

The return of Odysseus to Ithaca and his faithful wife, Penelope forms the end of the Odyssey, that magnificent epic by Homer. The Latinised version of Odysseus is Ulysses, and this opera by Monteverdi tells of Penelope’s anguish, the shenanigans of her suitors, and the unruly behaviour of some servants. Ulysses returns after twenty years away, …

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