Tag Archives: David Finn

Frankenstein, Royal Ballet, ROH, Covent Garden, May 2016

Liam Scarlett’s interest in German myth and murderous intrigue, already apparent in his ballets Hansel and Gretel and Sweet Violets, now finds its full flowering in Mary Shelley’s 1818 story of Victor Frankenstein. This meditation on loss, the yearning for love, and fear of the outsider shows the folly of taking on oneself the gods’ …

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Tannhäuser, Staatsoper Berlin, April 2015

Having dancers in the Venusberg scene of Tannhäuser is quite normal, but dance company director Sasha Waltz, who created this opera production, took their use too far. It is fine up to a point to include dancers among the wonderful chorus of pilgrims, but by the second half of Act II they were getting in …

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Parsifal, Metropolitan Opera live cinema relay, 2 March 2013

A stunning performance with a wonderful cast under superb musical direction by Daniele Gatti could make for a series of tiresome superlatives, so I shall start with a more interesting observation. This endlessly intriguing opera allows every production to bring out some new aspect. The brilliant Bayreuth production relates it to the history of Germany …

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Royal Ballet Triple: Polyphonia/ Sweet Violets/ Carbon Life, Covent Garden, April 2012

This was an entirely twenty-first century triple bill. The first work, Christopher Wheeldon’s Polyphonia, set to ten piano pieces by Ligeti, was first shown in New York at the start of the century, January 2001. The large Covent Garden stage gave space to the spare minimalism of Wheeldon’s choreography, with darkness sometimes surrounding a spot for the dancers. …

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Der Fliegende Holländer, Royal Opera, Covent Garden, October 2011

Jeffrey Tate in the orchestra pit gave Wagner’s Flying Dutchman a wonderful clarity, helped of course by the singers, particularly Anja Kampe as a beautifully pure voiced Senta. This was the role in which she made her Covent Garden debut when the production was new in 2009. The singers for the other main roles are …

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Peter Grimes, Royal Opera, Covent Garden, June 2011

This production brings out the horrid awkwardness of Grimes’s estrangement from the local community, eliciting our sympathy for him …

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Cinderella, Birmingham Royal Ballet (BRB), London Coliseum, March 2011

… the nasty stepmother [was] brilliantly portrayed by Marion Tait. Her ball dress was stunning, and when the prince brings the slipper to the house she follows her awful daughters in trying it on . . . before Cinderella herself comes forward.

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Preview — Cinderella, Birmingham Royal Ballet, London Coliseum, March 2011

Following its world premiere in Birmingham last November, and Christmas Day BBC Television debut, Birmingham Royal Ballet’s new production of Cinderella comes to London for the first time. Choreography is by the wonderful David Bintley, with designs by John Macfarlane whose brilliant work on the Magic Flute was recently seen at the Royal Opera House. To …

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Giselle, Royal Ballet, live relay from Covent Garden, January 2011

This two-act ballet creates a wonderful dichotomy between daylight and night-time. Act I is set in the everyday world, but the second act takes place in world of the wilis, spirits of dead maidens who rise up and destroy any young man they encounter.

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