Mainly Opera and Ballet
After a 20-minute delay caused by computer problems — oh, for the days when stage equipment at Sadler’s Wells could be operated by hand — this excellent triple bill of David Bintley ballets proved well worth the wait. In the first, Bintley uses Einstein’s equation E=mc2, expressing the equivalence of energy E and mass m, …
While Alice’s Adventures in Wonderland plays at Covent Garden, the Birmingham Royal Ballet brings David Bintley’s new Aladdin to the London Coliseum. The former is sold out, and the latter deserves to be too, because both are equally great fun though entirely different. Aladdin is a ripping yarn based on those Tales of the Arabian …
The Grand Tour, a charming ballet by Joe Layton based on Noël Coward’s 1930s transatlantic trip on a liner, is to music by Coward himself, adapted and orchestrated by Hershy Kay. It’s a colourful ballet with lovely designs by John Conklin, well lit by Peter Teigen, and in this cast the most striking performer was …
… the nasty stepmother [was] brilliantly portrayed by Marion Tait. Her ball dress was stunning, and when the prince brings the slipper to the house she follows her awful daughters in trying it on . . . before Cinderella herself comes forward.
Following its world premiere in Birmingham last November, and Christmas Day BBC Television debut, Birmingham Royal Ballet’s new production of Cinderella comes to London for the first time. Choreography is by the wonderful David Bintley, with designs by John Macfarlane whose brilliant work on the Magic Flute was recently seen at the Royal Opera House. To …
Why were there empty seats? This is a wonderful Triple Bill, and the Royal Ballet gave a glorious performance, yet on the Grand Tier four boxes in a row were empty. All paid for no doubt, but unused for some of the finest dancing the Company can produce. The evening started with Rhapsody to Rachmaninov’s well-known Rhapsody …
it’s rather remarkable to turn into dance a story about a man who is good with words, but I think Bintley has succeeded.
E = mc2, was the main focus of the evening for me … a new work by artistic director David Bintley, in four movements
