Tag Archives: Charles Edwards

Don Quichotte, Grange Park Opera, June 2014

In the much-performed Don Quixote ballet (music by Minkus) the Don sees his fantasy Dulcinée as one of a pair of young lovers whom he gracefully helps bring together, and they are the main characters. But in this late Massenet opera the main character is the noble yet delusional Don himself, with Dulcinée as a …

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Elektra, Royal Opera, Covent Garden, September 2013

For this revival of Elektra, in Charles Edwards blood soaked production (previously seen in 2003 and 2008), the orchestra produced terrific emotional power under the direction of Andris Nelsons. They played with huge conviction, and the cast sang superbly, none more so than Adrianne Pieczonka as Chrysothemis. From her first entrance to the final words …

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Faust, Royal Opera, Covent Garden, September 2011

Covent Garden has a talent for staging nineteenth century operas in sumptuous productions with excellent singers, and this is another fine example. Gounod’s Faust, with its libretto by Barbier and Carré based on Carré’s earlier play Faust et Marguerite, is loosely fashioned on Goethe’s great work, though it’s hardly Goethe. David McVicar’s production, with its sets by …

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A Midsummer Night’s Dream, English National Opera, ENO, London Coliseum, May 2011

…if you’re willing to accept a representation of mysterious forces in the otherwise mundane world of human beings, then this is strongly recommended as an intriguing take on Britten’s opera.

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Werther, Royal Opera, Covent Garden, May 2011

There they are in a lonely room within the stage, while snow falls outside, and the red shawl Charlotte wrapped around her white dress before rushing to Werther’s side matches the red blood on his white shirt. It’s a sad and lovely scene, and the audience roared their approval of Rolando Villazon in the title role, …

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Adriana Lecouvreur, Royal Opera, Covent Garden, November 2010

As I took my seat on the first night a young man said to his companion that this was better than Puccini. On the other hand I know of someone who walked out of the dress rehearsal at the first interval saying this was not opera. My opinion falls in between such strikingly different reactions.

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The Makropulos Case, English National Opera, ENO at the London Coliseum, September 2010

Emilia Marty, Ellian MacGregor, Eugenia Montez, Elsa Müller, Ekatěrina Myškin, all E.M., just like her original name Elina Makropulos. This beautiful woman, born in Crete to Hieronymos Makropulos, is now 339 years old but has not aged since she was 39.

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Lucia di Lammermoor, English National Opera, ENO, London Coliseum, February 2010

Altogether, David Alden has created a particularly malicious take on the story, and it works.

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The Browning Version, Rose Theatre, Kingston-on-Thames, September 2009

This production by Peter Hall of Terence Rattigan’s play about a classics master at boarding school, was beautifully performed.

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