Tag Archives: Bryn Terfel
Posted on 9 June 2024
Grange Park Opera in Surrey is a magical place that boasts a brand new opera house in the woods. This year the season began with a double bill featuring Bryn Terfel in both operas: the first Aleko by Rachmaninov and the second Gianni Schicchi by Puccini. Of the two, Schicchi wins hands down, making it …
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Posted on 1 March 2024
Wagner’s Flying Dutchman is the first opera in his canon of ten mature works. He claims it was based on a novella by Heinrich Heine, but there is more to the story than that, and this excellent production was made musically gripping under the baton of Hungarian conductor Henrik Nánási, with singers on top form. See …
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Posted on 19 February 2023
The team of Moshe Leiser and Patrice Caurier returned to the ROH to direct this revival of their 2005 production, allowing them to make some alterations. The overturning of furniture and damage to the piano in Rosina’s sudden fury, when she believes Bartolo’s claim that her lover was sent to trap her into a loveless …
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Posted on 20 March 2022
In her new production of Peter Grimes Deborah Warner brought the setting up to date with detritus on the beach and yobbos threatening Ellen Orford. As Grimes himself Allan Clayton was outstanding, rough and ready but with mental issues in Warner’s sympathetic portrayal. Excellent contributions from Bryn Terfel as Captain Balstrode, and John Tomlinson as Swallow …
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Posted on 16 October 2019
This new production at the Royal Opera follows its Paris premiere in March, and is brilliantly performed with a cast headed Bryn Terfel and Russian-German soprano Olga Peretyatko. Glorious comic timing by both under the sensitive and lively baton of Evelino Pidò. See my review in The Article.
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Posted on 20 June 2019
This production uses Musorgsky’s vibrant, original version, with several singers returning to the roles they performed when this production was new in 2016. Again Bryn Terfel was magnificent as a powerfully sympathetic and well-nuanced Boris, with David Butt Philip giving a mean performance as the novice Grigory (Dmitri the pretender). New to the role of …
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Posted on 28 May 2019
A terrific revival of Tosca with Bryn Terfel as Scarpia and Kristine Opolais as Tosca under the wonderfully sensitive baton of Alexander Joel. Vittorio Grigolo’s resounding tenor as Cavaradossi lacked some magic and nobility, but wonderful performances of Angelotti and the Sacristan. See my review in The Article.
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Posted on 12 March 2017
As the Royal Opera and Kasper Holten part company, this is his last throw of the dice. Like many continental European directors he delivers us a ‘concept’, and in the first two acts I was puzzled to know why it necessitated the abandoning of the church, Sach’s house, Pogner’s house, and the street. Act I …
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Posted on 15 March 2016
The background to this opera is the reign of Ivan the Terrible, who curbed the power of the boyars and surrounded himself with reliable, talented men such as Boris Godunov, who became regent to the weak-minded Fyodor on Ivan’s death. During the regency, a later son named Dmitri died in slightly mysterious circumstances, and after …
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Posted on 6 June 2015
Rising anti-Semitism in Europe makes an excellent time for Grange Park to stage this story that ends with the forced abandonment of a Jewish stetl in Imperial Russia. There in the Pale of Settlement where permanent residency of Jews was allowed, life could be hard, balanced precariously like a fiddler on the roof. And if …
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Posted on 19 November 2014
With Lucy Crowe, Vittorio Grigolo and Bryn Terfel this was quite a cast, and under revival director Daniel Dooner they made the most of Laurent Pelly’s delightful production. In Act I the bikes, the dog, the funny swaying movements of the chorus, and the tiny version of Dulcamara’s van at the end all add colour, …
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Posted on 5 April 2014
With only a few weeks to go before opening night, Anna Netrebko pulled out from the role of Marguerite, but we need not have worried. Her replacement, 32-year old Bulgarian soprano Sonya Yoncheva, due to sing the same role at the Vienna State Opera next month, more than made up for the loss. She brought …
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Posted on 24 July 2013
At both La Scala and the Berlin Staatsoper, I saw Daniel Barenboim conduct similar casts, in the same production by Guy Cassiers whose Walküre Act III is shown on the front cover of the BBC libretto. The Proms have brought over the Staatsoper orchestra from Berlin, which forms a terrific team with Barenboim conducting, and …
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Posted on 30 September 2012
Wotan’s meeting with Erda that starts Act III of Siegfried is a focal point in his demise. After awakening her for advice she tells him to ask Brünnhilde, their daughter bold and wise, but learning Wotan has cast her aside, she asks why he who taught defiance punished defiance, why he who ruled by vows now …
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Posted on 27 September 2012
A pivotal point in Wagner’s Ring is Act II scene 1 in Walküre where Fricka faces her husband Wotan. A strong presence is vital here and Sarah Connolly gave a superb portrayal, avoiding the danger of playing her as overbearing but firmly and gently persuading her husband that he is in serious error. It was beautifully done, and she …
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Posted on 25 September 2012
This prologue to Wagner’s Ring promises a feast of fine singing and acting in the remaining three operas of the cycle. Bryn Terfel sang as well or better than I have ever heard him in the role of Wotan, emphasising maturity and self-awareness, showing he realises he has set in motion something against which the …
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Posted on 6 November 2011
This production by Robert Lepage, brilliantly conducted by Fabio Luisi, brings nuances in the score and the libretto that had previously passed me by …
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Posted on 15 July 2011
The orchestra, under brilliant direction by Antonio Pappano, started with a bang and the tension kept up throughout. Lukas Jakobski made a strong entrance as the escaped prisoner Angelotti, and as he left, Jeremy White came on as a humble Sacristan followed by a madding crowd of children. All very good theatre, before Cavaradossi enters, …
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Posted on 15 May 2011
The second act of Walküre is the axis about which the whole Ring turns, and I’ll restrict my remarks mainly to that part. In the first Ring opera, Rheingold, Wotan is persuaded to give up the mighty ring that he stole from Alberich. This is when the earth goddess Erda appears from the depths warning him to Flieh’ des …
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Posted on 10 October 2010
One cannot help feeling sympathy with Alberich as he cries out, “O Schmerz!” (What pain!), and Eric Owens sang and acted the role brilliantly. His dark, rich voice expressed his anguish and determination, …
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Posted on 18 July 2010
…Terfel gave a wonderfully nuanced performance. He built up gradually through Acts I and II, and in Act III his Wahn monologue was beautifully done, and he ended very strongly with his Verachtet mir die Meister nicht . . .
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Posted on 6 July 2009
What really made this evening terrific was the riveting performance of Bryn Terfel as Scarpia.
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