Mainly Opera and Ballet
Booing is par for the course at the Wagner Festival in Bayreuth, and the Parsifal production opening the 2023 season well deserved it. Singers and orchestra were another matter however. Most people go to Bayreuth because they love Wagner’s music, superbly played by the excellent musicians, and under the baton of Pablo Heras-Casado this was …
To say that this new Ring at Bayreuth never quite settles down is to put things politely. The young director Valentin Schwarz has lots of ideas, but they never really gel. There is no coherent vision bringing them all together. To put it bluntly his efforts are a failure — see my review in The Article.
Parsifal in Bayreuth is one of opera’s great experiences. It is also the location of its first performance in 1882 where the marvellous acoustic of the Festspielhaus welcomes the huge dynamic range that this ‘sacred festival drama’ embodies. A thirty-year moratorium forbade stage performances elsewhere until the end of 1913, though the Royal Albert Hall hosted …
In Wagner’s final and most abstract opera, Uwe Eric Laufenberg’s superb production sets the mystical land of the Grail in the Middle East. The exact location appears fleetingly on a map during the Act 1 journey to the Grail ceremony where Gurnemanz explains that space and time become one, which they do at the speed …
This year’s Festival opened with a concert by the Vienna Philharmonic under Barenboim: Mozart’s Haffner and Jupiter symphonies were given powerful lyricism, and Schönberg’s Chamber Symphony No. 1 wonderful chromatic pulsation. To follow this, Barenboim and the Berlin Staatskapelle fully brought out the emotional depths of Wagner’s Parsifal in Dmitri Tcherniakov’s intriguing production from the …
Wagner’s Parsifal is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note — revenge. My review appeared in the Daily Telegraph.
At the end, Barenboim held his baton up, and five thousand people held their applause. As he let the baton drop the cheers started, and continued until he came on one last time to make a small speech, thanking the orchestra, singers, and indeed the audience for its wonderful silence and rapt attention. He also …
When the Rheinmaidens playfully tease Siegfried at the start of Act II, their musical movements were far better than the unmusicality of the irritatingly intrusive dancers, who reappeared in this final part of The Ring. Their manipulation of silk sheets was fine, but this is the first time I have seen opera ladies move more gracefully …
The first two operas of this cycle experienced slight problems: orchestra lights failed a couple of times during Rheingold, and stage backdrop lighting flashed and failed in Walküre. But Siegfried saw a more serious disruption when the eponymous hero failed to show up for Act I. Why, we were not told, but the role was admirably …
