Tag Archives: Amanda Echalaz

The Exterminating Angel, Royal Opera, ROH, Covent Garden, April 2017

Thomas Adès’ previous opera The Tempest, set on Prospero’s mysterious island, finds a counterpoint here in the ostensibly mundane setting of an elegant dinner party — but all is not as it seems. Both operas feature very high soprano roles, Ariel in the Tempest and three of the ladies in Angel, again with the idea of …

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Eugene Onegin, English National Opera, ENO, London Coliseum, November 2011

Altogether this is a wonderful new production by the ENO, and the visual effects were so good that the audience spontaneously applauded the ball scene as the curtain opened for Act III.

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Tosca, English National Opera, ENO, London Coliseum, May 2010

this production by Catherine Malfitano is, if I can put it this way, a singers’ production. It’s produced by a singer who fully understands the nuances of the characters and their interactions, and it allows the performers to give their best, which they certainly do.

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Un Ballo in Maschera, Holland Park Opera, July 2009

The key scene in the opera is the midnight rendezvous between the king and Amelia, where they are surprised by Amelia’s husband Anckarstrom, and she veils her face.

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