Tag Archives: Alastair Miles

Barber of Seville, English National Opera, ENO, London Coliseum, Oct 2017

This truly wonderful production by Jonathan Miller, now in its thirteenth revival, is a star in the ENO firmament, and a friend seeing it for the first time was bowled over by the costumes, sets and lighting. Under revival director Peter Relton, whose Tosca launched the new Grange Park opera this past summer, it looks …

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Don Carlo, Grange Park, GPO, June 2016

For a large opera house Verdi’s Don Carlo is quite a challenge, even in the four (rather than five) act version seen here. The great auto-da-fé scene at the end of Act II, where Carlo leads in a deputation from Flanders, threatens his father Philip II and is disarmed by Rodrigo, before the burning of …

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Die Meistersinger von Nürnberg, Glyndebourne, GFO, May 2016

The first revival of this David McVicar production, with its glorious designs by Vicki Mortimer, beautifully lit by Paule Constable, seems even better than it did five years ago. As Wagner’s only comic opera — apart from his very early Liebesverbot — Meistersinger needs the light touch that McVicar so ably gives it. The marvellous …

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Maria Stuarda, Welsh National Opera, WNO, Cardiff, September 2013

In Schiller’s play Maria Stuart, the original drama for this Donizetti opera, Elizabeth I meets Mary Queen of Scots. Such a meeting never took place, but it makes for gripping theatre, and this second opera in the WNO ‘Three Queens’ series is a winner. The designs by Madeleine Boyd continue to use the sombre black …

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Anna Bolena, Welsh National Opera, WNO, Cardiff, September 2013

Three Queens is the main theme of Welsh National Opera’s Autumn 2013 season, which opened last night with Anna Bolena. This was Donizetti’s first really big success after more than thirty other operas, and its darkly dramatic atmosphere is well-served by Alessandro Talevi’s production. At the start of the opera Anne Boleyn’s power has already …

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Die Meistersinger von Nürnberg, Glyndebourne, May 2011

This new production of Meistersinger by David McVicar elicited thunderous applause at the end. And what an end it was, with Hans Sachs’s monologue being given its full force in a way I’ve not seen before. When Walther refuses the award of Mastership from Pogner, Gerald Finley as Sachs draws him aside to stage right, and his …

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Lucrezia Borgia, English National Opera, ENO, London Coliseum, February 2011

A mother’s anger leads unintentionally to the death of her adored illegitimate son. Shades of Verdi’s Rigoletto here, where a father’s anger leads to the death of his beloved daughter, but there are strong differences. Where Rigoletto is a physically ugly man with a hunchback, Lucrezia Borgia is a beautiful woman, now in her early forties. …

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